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Bloody Wednesday Full Movie

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Bloody Wednesday (1988)

Harry is unable to hold a job due to his mental illness and lives in an abandoned Hollywood hotel haunted by friendly ghosts of the long dead staff. The lines of his mental illness and reality become extremely blurred as some of his strangest events are indeed witnessed by others. As Harry becomes more frustrated by not being able to distinguish fact from delusion he turns to violence.

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5 Comments

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Brian C 06 Mar 2013

One man's decline into madness culminating in a pointless (and seemingly endless) killing spree at a coffee shop. One softball team's post-game celebration is ruined. Pretty much worthless.

Shawn W 26 Oct 2012

An insane man has constant halucinations while holed up in an abandoned hotel. This drags on for over an hour until the guy walks into a coffee shop and kills 35 people with a machine gun. End of film. Roll the credits. Bloody awful.

Christopher B 24 Dec 2008

I would love to see this film again. The story of the few days before a man goes into a crowded restaurant and opens fire. A few standout scenes is when someone brings their car to the man to get it fixed (he's a mechanic) and he takes it apart and puts the little pieces onto the floor, entering the church nude while singing a hymn and the scene where the man is given a gun. A real video gem I remember renting a few times, it probably closest resembles The Shining, but it exists in it's own strange world.

Michael S 14 Oct 2009

I found "Bloody Wednesday" bloody entertaining. Feelings of isolation, attacks by gang members, a ghostly bell hop, a murder that did not happen, and the creepiest use of a teddy bear in cinema history. All that and engaging characters that work as a whole... but are all apart from each other. My only complaint would have to be that a couple of the actors were a little wodden in their portrayal of the characters. Otherwise, it's been added to my Favorites List.

Adam R 24 Jan 2011

"Bloody Wednesday" director Mark G. Gilhuis convincingly bends his mise-en-scene to reflect the increasing derangement and alienation of Harry (Raymond Elmendorf), a mentally ill man who loses his mind after being cooped up in an abandoned hotel by his distracted brother (Navarre Perry): When Harry plays an opulent piano solo at his doctor's (Pamela Baker) house, the edges of the screen darken, forming a spotlight around the maniacal protagonist. Later, when Harry pretends to shoot at a passing jet outside his window with a broomstick, found audio from a World War II film accompanies his grim fantasy. Like Lynch, Cronenberg, Scorsese, and others, Gilhuis delights in keeping the audience off-kilter, constantly leaving us questioning the validity of what we just saw: Much like Harry, who lives in the same daunting, haunting twilight.