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Spellbound (1945) Full Movie

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Spellbound (1945)

When Dr. Anthony Edwardes arrives at a Vermont mental hospital to replace the outgoing hospital director, Dr. Constance Peterson, a psychoanalyst, discovers Edwardes is actually an impostor. The man confesses that the real Dr. Edwardes is dead and fears he may have killed him, but cannot recall anything. Dr. Peterson, however is convinced his impostor is innocent of the man's murder, and joins him on a quest to unravel his amnesia through psychoanalysis.

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Brooke Hauser 08 Jul 1999

While it may be excruciating to watch a speller miss a word by a letter, it's just as exciting to watch another kid jump the hurdle.

Philip French 11 Aug 1996

The gaudy Freudianism of this 1945 Hitchcock film, backed by a dream sequence designed by Salvador Dalí and an overexcited score by Miklós Rósza, can make it hard to take, but beneath the facile trappings there is an intriguing Hitchcockian study of role reversal, with doctors and patients, men and women, mothers and sons inverting their assigned relationships with compelling, subversive results.

lolawonderly 22 Jan 2012

This movie completely changed my outlook on life. I was 7 when I first saw it in theaters, and I was completely blown away. I was very impressionable, as so many 7 year olds are, and for the first month or so after I watched it, I had it decided that I too, was going to be a spelling bee kid. Obviously I didn't really stick with my plans of being a nationally ranked speller, but, a year ago, when I watched the movie again, I realized the impact this film had on me had just about nothing to do with spelling. Spellbound provides revealing insight on being the best, regardless of what hobby, sport, or subject you're trying to excel at. Surprisingly compelling, Spellbound ranks near the top of my list as far as documentaries go.

Lisa Schwarzbaum 23 Dec 1983

Thrilling little epic set in the bewildering arena of the English language.

Joe Morgenstern 09 Jan 1955

For the committed word nerd, spelling has its intrinsic pleasures, but in Spellbound it's another example of the peculiarly American mania for turning everything -- even play --into work.