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In the Bedroom (2001) Full Movie

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In the Bedroom (2001)

Summertime on the coast of Maine, "In the Bedroom" centers on the inner dynamics of a family in transition. Matt Fowler is a doctor practicing in his native Maine and is married to New York born Ruth Fowler, a music teacher. His son is involved in a love affair with a local single mother. As the beauty of Maine's brief and fleeting summer comes to an end, these characters find themselves in the midst of unimaginable tragedy.

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5 Comments

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Rodney C 27 Aug 2007

A great movie. One of the best films of 2001! Tom Wilkison should of won for actor instead of Russel Crowe.

Leon J 25 Jun 2007

One of my favorite movies that I watch over and over again... todd field is one smart guy.

Joel G 18 Jul 2007

Field's directorial debut with "In the Bedroom" is a masterful expose of the human condition in the midst of severe loss and familial angst. The chameleons Tom Wilkenson and the remarkable Sissy Spacek don't just portray the parents of a departed son who's life was cut tragically short, they become the characters. Every facial expression and movement is crafted to expertise as the parents are drowned in anguish and anxiety; their relationship standing upon the edge on knife. It is impossible to tear your eyes from the screen once the film begins, and the tension and cinemetography are so beautifully and almost naturally captured the sense of small-town serenity and immense loss are both equally balanced and captured. Todd Field's "In the Bedroom" is full of poignant metaphors and imperative scenes, making this a breakthrough establishment of the director as a new-age auteur.

Maxwell L 09 Jan 2008

I seem to recall this film coming out around the same time as American Beauty, and not too many people batted a second eye at it. Truthfully, this is a far better film than American Beauty. I still don't understand the fascination with Mendes' work. It's like comparing Big Fish to The Barbarian Invasions. Both Mendes' and Field's work concerns a dark family plot, but where Mendes handles his with hallucination and overdramatic monologue, Field is more concerned about sheer emotional devastation, and it works on so many more levels. There are deaths in each of these films, and whereas one seems to act as a last-ditch effort for a closer, the better one utilizes death as a worthy catalyst, and where the real movie begins. This is the best family drama ever made, bar none.

thecla d 06 Mar 2007

A brilliantly written piece - perfect if anyone wants to study what a screenplay should be like.