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The Load (2019)

Vlada works as a truck driver during the NATO bombing of Serbia in 1999. Tasked with transporting a mysterious load from Kosovo to Belgrade, he drives through unfamiliar territory, trying to make his way in a country scarred by the war. He knows that once the job is over, he will need to return home and face the consequences of his actions.

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5 Comments

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Jessica Kiang 28 Aug 2019

It requires a degree of commitment on the part of the viewer to join the sparsely placed dots of Glavonić’s harshly intelligent and uncompromisingly spare story, especially when the picture they form is so harrowing. But the elements that frustrate can also devastate.

Sarah Ward 28 Aug 2019

If any colour represents the long-term impact of war, it’s the blend of beige and grey that fills The Load’s quietly powerful frames.

Lawrence Garcia 28 Aug 2019

As intelligently crafted as the film is, Glavonić’s directorial strategies do end up limiting the film’s observational power.

Stephen Dalton 28 Aug 2019

This well-intentioned meditation of the banality of evil packs a modest emotional punch, but it might have been more powerful if it had shown us a little less banality and a little more evil.

Robert Abele 17 Oct 2019

The overtly graphic isn’t Glavonic’s visual style, but rather a cold, more powerful image seepage — what a man’s physicality says about complicity, and what a shot of the muddied ground near a hosed-down truck says about what war does to the ground, a land and the soul.