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The Load (2019)

Vlada works as a truck driver during the NATO bombing of Serbia in 1999. Tasked with transporting a mysterious load from Kosovo to Belgrade, he drives through unfamiliar territory, trying to make his way in a country scarred by the war. He knows that once the job is over, he will need to return home and face the consequences of his actions.

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Stephen Dalton 28 Aug 2019

This well-intentioned meditation of the banality of evil packs a modest emotional punch, but it might have been more powerful if it had shown us a little less banality and a little more evil.

Robert Abele 17 Oct 2019

The overtly graphic isn’t Glavonic’s visual style, but rather a cold, more powerful image seepage — what a man’s physicality says about complicity, and what a shot of the muddied ground near a hosed-down truck says about what war does to the ground, a land and the soul.

Michael Nordine 28 Aug 2019

It’s like we’re front-seat passengers, and though it induces much anxiety, “The Load” compels us to keep both eyes forward lest we miss whatever might happen next.

Glenn Kenny 29 Aug 2019

The gray skies under which Glavonic shoots, the unhurried takes in which he chronicles the drive, they put us with Vlada in an unmitigated way, the better to compel viewers to ask themselves what they would do in his position.

INFEDnoX 07 Jan 2022

A deeply moving film, Ognjen Glavonić's debut finds poignance in quiet pockets of space. Glavonić's directing is slow and hypnotic, almost Bela Tarr-esque in places. His background in documentaries is readily apparent; he seems content to allow the camera to wander of its own accord, to drift between spaces of incredible beauty - a bleak and beige countryside, a bus on fire, a claustrophobic roadside motel stop. Its people shift in and out of frame, with occasional background characters coming to the fore for a short time, each with their own individual story, most to be relayed to the viewer silently and only in passing. It's a film about what it means to hold onto one's individual dignity in the face of extreme adversity. Glavonić regards these characters with a sort of reverence, offering us a glimpse into their quiet, often silent struggles, one that you can't help but watch. After a while, it becomes impossible to look away.