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Shame (1968) Full Movie

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Shame (1968)

In the midst of a civil war, a pair of former violinists in a tempestuous marriage oversee a farm on a rural island. In spite of their best efforts to escape their homeland, the war impinges on every aspect of their lives.

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5 Comments

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Kilo D 09 Oct 2012

Ingmar Bergman's ten-years-or-so filmography that leads up to "Shame" is unbelievable, a list comprised entirely of masterpieces. "Shame" had a lot to live up to and despite being a devastating movie, "Shame" has something missing. Maybe it's that I couldn't sympathize with the characters and the verbal brilliance is missing or mollified. However, one cannot help but get sucked into the anxiety that is an undercurrent from beginning to end and the images of a village lit up with horror. The horrified expressions on the character's faces make "Shame" an unwatchable movie if you live in Yemen, Pakistan, Somalia, Libya, Afghanistan, or Iraq (by the time of this writing there may be more countries on the list). "Shame" is not one of Mr. Bergman's best but it's a macabre assault visually and psychologically and the final sequence conceals more conflicting emotion and terror than the entirety of most "war" movies.

David C 06 Sep 2006

Bergman retrata la guerra como ningun otro director. Recomendable su visualización.

John M 14 Feb 2017

The imagery and dialogue are near perfection. Bergman is meticulous when it comes to capturing internal emotion and that's all this film is. I do think it drags in the middle but there's no doubt there is brilliance in this film that deserves repeated viewings.

Paul P 17 Dec 2011

'Shame' is a film that deals with the mental horrors war can weigh on human beings. And not soldiers but the innocent people who have to deal with the war being fought on there homeland. Max Von Sydow and Liv Ullmann play the tortured couple. Like always they bring a believability to the role and flesh these characters out so well that it makes you feel like you know them. An interesting companion piece to 'The Passion of Anna' and i guess that means 'Hour of the Wolf' as well. Bergman's film is anti-war to its core. By not pinpointing the exact issues of the war it makes this film virtually timeless.

C. H 16 Aug 2007

Bergman's meditation on the dehumanizing effects of War. A true anti-war film because it never shows the excitement of battle, just the periphery of terror, fear, dread, and loss.