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Where Hands Touch Full Movie

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Where Hands Touch (2018)

Germany, 1944. Leyna, the 15-year old daughter of a white German mother and a black African father, meets Lutz, a compassionate member of the Hitler Youth whose father is a prominent Nazi soldier, and they form an unlikely connection in this quickly changing world.

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5 Comments

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Jared Mobarak 09 Sep 2018

Despite moments that risk subverting the vile treachery of Nazis in a bid to humanize this would-be soldier underneath his uniform, Asante refuses to erase the complexity of the situation at hand.

Rex Reed 12 Sep 2018

A tale of trauma and survival, Where Hands Touch is grim, compelling stuff, but the tireless humanism of the two leading characters makes it undeniably moving, aided by the careful and empathetic guidance of British writer-director Amma Asante (Belle, A United Kingdom).

Monique Jones 03 Jan 2019

With such a film as Where Hands Touch, and with the times we are living in, with the alt-right being validated by our current president, the film would have made a much stronger point if it focused on biracial Germans without a Nazi love interest.

Christopher W 12 Oct 2018

If the first forty minutes hadn't revolved around Stenberg's astonishing features (with infinite beauty shots) and focused more on the marginalized group supposed to be represented, Where Hands Touch maybe could have fulfilled its ambitious promise. The convincing chemistry between the two main characters did not save the screenplay from itself: it felt as though the heart of the movie (to give a voice to the barely known Nazi victims, the Black people) was drawn in a sea of clichés. However, when the plot shifted its way into the horror of the concentration camps near the ending, Asante's vision of social justice naturally peaked through. That is how Where Hands Touched must be remembered: as a mandatory true story for never comitting the same historical mistakes again.

Tomris Laffly 09 Sep 2018

While Where Hands Touch demonstrates confident filmmaking from a technical standpoint, Asante’s plot choices around the ambiguous development of Lutz feel irresponsible, especially during these risky political times that uncompromisingly demand us to be the opposite.