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Pigsty Full Movie

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Pigsty (1969)

Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son of a post-war German industrialist, is on the way to lie down with his farm's pigs, because he doesn't like human relationships.

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5 Comments

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Iines S 19 Jul 2010

i liked the 2 story structure, and the whole feeling of the film. as usual, we are presented with some of passolini's favourite themes: the anti-bourgeoise sentiment, sexuality... i loved how julian prefered the company of pigs and that of people, he was by far my favourite character. i liked him much more than the cannibal in the other story. btw, that volcanic landscape is amazing! where was it filmed? it gives the story an even more apocaliptic feeling. all in all, i would say this is good, but not amazing.

Antti A 14 Nov 2007

Well this movie has it all, cannibalism, complex human relationshiops, nazis and a happy ending. I did not fully ynderstand the relation between different timelevels thought. Maybee not Pasolinis best works, but very good.

Toshi T 16 Nov 2008

The film flows like an argument. Crosscutting between two narratives, one set in a mythical past and the other in a German villa. Intimations of Marx, thesis and anti-thesis, but the result is poetically and philosophically stranger. A one of a kind cinematic work. Watch for Clementi's facial expressions.

Julio C 29 Apr 2010

Usually I like Pasolinis movies, but this was total waste of time. I didnt understand anything about the plot, only the end where presumably the pigs ate a man...crap

Kat L 08 Jan 2009

Transgressive and intellectual with a violent poetry. Two narrative strands which are irrelevant to each other except for the common depravity. One, in a brutal past set in a beautifully barren landscape, a cannibal who even killed his own father to enjoy the human flesh. Two, the son of a Nazi industrialist who frequents the pigsties to rape the pigs, and strongly Marxist as Pasolini can. The film is very roughly edited, yet the duration spent away from the other narrative strand creates a suspenseful curiosity to return to the other story. An interestingly imperfect film to sink me into the depths, and sometimes soar with the futile on-screen intellectual exchanges.