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Motherless Brooklyn Full Movie

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Motherless Brooklyn (2019)

New York City, 1957. Lionel Essrog, a private detective living with Tourette syndrome, tries to solve the murder of his mentor and best friend, armed only with vague clues and the strength of his obsessive mind.

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5 Comments

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Mark Feeney 01 Nov 2019

What’s best about the movie is mood and texture, and the ensemble cast (the second best thing about the movie) mostly defers to those qualities. In that sense, Motherless Brooklyn might be described as novelistic, and in a good way.

Sasha Stone 04 Sep 2019

As Motherless Brooklyn reaches back in time to explore racism and New York City’s history, it also brings us urgently back to right now — how we look at politics and leadership, what offenses we’re willing to accept, what ideals are still worth fighting for.

Deanomite 16 Jan 2020

I really like the idea of a protagonist with Tourettes, it requires everyone to see past his faults or have no relationship. The photography by Dick Pope was very nice, his biggest success being Happy Go Lucky. Ed Norton has apparently tried for 20 years to get this made, an update on Chinatown of sorts. Bruce Willis is always good but far underused, Alec Baldwin same story-he is much better without anxiety. I think all these characters could have been elevated by coping with his Tourettes instead of ignoring it, maybe restraining themselves from mocking or defending him more. I am guessing the success of Birdman made this possible. I agree it is a vanity project, as such maybe the Ed Norton Character should have been less central.

Ko09iju7 24 Mar 2020

The opening scene catches your attention, and it slowly dwindles from there. Norton and crew blow on the embers of a worn out agenda. But the fires already gone. The jazz breaks, offer a dreamy state to the movie, and Baldwin's performance offers time for a bathroom break. The movie feels about 30 minutes too long.

Jake Cole 12 Sep 2019

Motherless Brooklyn feels altogether too tidy, a film that revives many of the touchstones of noir, but never that throbbing unease that courses through the classics of the genre.