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Masculin Féminin Full Movie

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Masculin Féminin (1966)

Paul, a young idealist trying to figure out what he wants to do with his life, takes a job interviewing people for a marketing research firm. He moves in with aspiring pop singer Madeleine. Paul, however, is disillusioned by the growing commercialism in society, while Madeleine just wants to be successful. The story is told in a series of 15 unrelated vignettes.

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Matt G 30 Jul 2012

It might embody all of those intangible ways that people try to define Godard's 60s work. It's so relentlessly meandering and entertaining, inspiring and inspired. Where one American movie may try and "smuggle" (as Scorsese put it) one idea into the audience's subconscious, Godard hurls them at your face, one after another, devoid entirely of shame in doing so. He veils his sympathy toward his characters, but it's there, even if the subject at hand is an entire generation and the culture influencing it. In fact, the thematic content is so multi-faceted, it absolutely cannot be consumed in merely one viewing. All of these things are how I define masterpiece, so that's a good way to summarize my feelings. Masterpiece.

Kevin W 07 Mar 2008

Wowsers, this film contains some amazingly beautiful B&W cinematography and absurd violence that anticipates WEEKEND. One of Godhead's best!!!!!

Kathryn H 24 Jul 2007

By this point Godard was at the heights of his fame, everything he touched was gold or at least silver. In this film he tackles the ow so confusing topic of love, relationships and males and females. The movie does contain some great scenes like the painting of Peace In Vietnam on the side of the American car or Madeleine's speech about her dreams of having a number one record and a brand new car. Even the random moments when people randomly die and we are told "One Woman, One Man, An Ocean of Blood"...(or something like that...are quite entertaining). For each great moment the film has though, it has an equal moment that just doesn't sit right in your film and partially this isn't this film in particular but Godard in general. The best descriptions I've found of his films, describe them as a car with a loose wheel that is about to fly off, but never does. I give this film an 8/10, for being too serious to take lightly and too light to take seriously.

James D 24 Nov 2007

Obviously not for everyone, but Godard was a master of cinema. He is a bit of a pompous ass now, but he was a phenom. This is a beautiful film about innocence and lost love. He dissects the conflict of war from a distance and explores ideals of sheltered youth trying to escape their existence. I'm sure you can take it in different ways, but for me it's all about the relationships.

Joel M 21 Aug 2007

A bit too scattered at times, and the cutting between sound and no sound is jarring every time it happens. With that out of the way, great acting, the dialogue is not only real but it's interesting. I cannot even begin to explain how much I love the lingering camera. In between words/sentences/questions is where the most powerful things are said. And the way Godard directs our attention to various surroundings is the bees knees. Could I feel anymore like I'm in the story? If something interesting is going on in your surroundings, you're gonna watch it. And for longer than just a glance. He really shows how much he understands the subtleties of human behavior, which is always refreshing to see. The film's not perfect, but the good certainly outweigh the flaws.