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Look Both Ways (2022)

On the night of her college graduation, Natalie's life splits into parallel realities after she takes a pregnancy test. What will life and love bring?

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Noel Murray 19 Aug 2022

It’s too facile to connect deeply. Everything in Natalie’s life is depicted on a surface level: motherhood, work, romance, friendship and even her passion for drawing. The differences between her two selves never seem too wide because both are barely rooted in reality.

Mauro_Lanari 02 Sep 2022

(Mauro Lanari) "Life is what happens when you're busy making other plans," Lennon sang in "Beautiful Boy (Darling Boy)," a quote from Allen Saunders' 1957 phrase and, most importantly, a track released on November 17, 1980, three weeks before Mark David Chapman shot and killed him on December 8. To analyze the teen movie directed by the Kenyan Kahiu it is not necessary to disturb Howitt ("Sliding Doors" 1998) and even less Kieślowski ("Blind Chance" 1981/'87); it is also irrelevant to allude to the butterfly effect. It is a reassuring film about two students in their last year of college (and not high school) who still use the condom as a contraceptive and not the safer pill, since they come from wealthy families able to manage any consequence of their reckless decisions. That same kind of families who are Netflix subscriber customers. Finally, lesbian scenes appear only for the sake of it.

Mick LaSalle 17 Aug 2022

Look Both Ways has a couple of things going for it, namely a compelling premise and the charm of Lili Reinhart (“Riverdale”) in the lead role. But the whole movie is a lie, and once you figure that out, the realization cuts into a lot of the pleasure.

Marya E. Gates 17 Aug 2022

That this catastrophe is director Wanuri Kahiu’s follow-up after her sublime debut “Rafiki” makes it all the more disappointing. Where that film has rich characterization, this has generalities. Where that film has vibrant cinematography, this has dreadful, bland compositions. Where that film has a detailed sense of place, this film has a disjointed, geographically murky portrait of L.A. and what appears to be a sponsored by SXSW and Whataburger view of Texas.

JLuis_001 25 Aug 2022

Lili Reinhart is competent as a leading actress, if not necessarily outstanding. However, little of what is shown along the way has any noteworthy emotional resonance. I mean, the sentiments of what it tries to explore are adequate and you can easily empathize, but the execution is too basic for you to actually care. Of course it doesn't seek to be special, but its purpose as a content filler is all too noticeable.