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Kimi (2022)

A tech worker with agoraphobia discovers recorded evidence of a violent crime but is met with resistance when she tries to report it. Seeking justice, she must do the thing she fears the most: leave her apartment.

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5 Comments

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Voodoo123 22 Feb 2022

Kimi is an unsophisticated thriller that borrows heavily from classics in its genre rear window yet delivers little thats new (ahem covid restrictions and face masks?). There's a great cast here and some excellent sound design (the headphones cutting to silence was very effective). Overall production is top tier considering its quick production turn around. Spoilers ahead but what little that worked well here is sadly and quickly discarded for a cheap and overly unrealistic mary sue murder spree victory finish with literal smiling 'oh, suddenly it seems murdering home invaders with a nail gun was the therapy that cured my agoraphobia ' moment. Although entertaining - couldn't help but feel theres was a massively missed opportunity for something more subtle and meaningful.

Mike D'Angelo 09 Feb 2022

When this film is over, viewers with voice-activated smart TVs are liable to look around for the long-dormant physical remote.

TVJerry 11 Feb 2022

Kimi is a fictional version of Alexa and Zoë Kravitz plays a tech worker whose job is to listen to errors from the app and correct them. One day, she hears a disturbing recording and sets out to discover the misdeed behind it. Since she's also agoraphobic, her drive to uncover the truth causes additional stress, compounded with the fact that someone doesn't want the information divulged. Director Steven Soderbergh has crafted a tight little film that spends the first hour setting up the drama (all in her apartment) before the a mildly tense final act. The paranoia of modern tech, coupled with the lingering effects of the COVID lockdown make it easier to ignore some of the plot machinations that rely on unlikely connections. The soundtrack is reminiscent of Hitchcock thrillers, but this easily-digested little drama doesn't match up to Hitchcock's level of anxiety.

PurpleCrayon4U 21 Feb 2022

Zoë Kravitz gives a career defining performance. Her character Angela Childs is one you get annoyed with in the beginning as she is pompous, self-centered, egotistical and just a pain in the rear. As the story progresses, you begin to understand why she carries these traits and not only so you understand her well-being but you then begin to sympathize for what she has to endure. The story itself is well crafted with some minor characters not really pulling their weight but don't really drag the film's overall objective. KIMI is the answer to all those superhero movies you don't want to see. OOPS, I forgot - there's a BAT coming.

Faxthtax 12 Feb 2022

Kravitz did an OK job portraying an annoying character you just want to punch in the face. She is mean to people, but it was probably the directors choice to give you a consequence interpretation of her illness. However, nothing special. Weird camera movements and mediocre script all wrapped in a very low-budget looking movie package The movie falls completely apart in the end though mainly because of the bad guys in the end. They are probably the worst most amateur idiots i have seen. Makes Harry and Marv almost Mensa members in comparison.