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52 Pick-Up Full Movie

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52 Pick-Up (1986)

Harry Mitchell is a successful Los Angeles manufacturer whose wife is running for city council. His life is turned upside down when three blackmailers confront him with a videotape of him with his young mistress and demand $100,000. Fearing that the story will hurt his wife's political campaign if he goes to the police, Harry pretends that he will pay the men, but does not follow through.

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5 Comments

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Jay A 30 Jan 2008

Roy Scheider is at his hard-boiled best and John Glover is a loathsomely slimy villain in this tough thriller that was quite graphic for its time.

Matthew M 23 Feb 2010

A film about a wrong deed that eventually spirals out of control. I felt that this film was disturbing and had many gruesome shoot outs. The killing of the women Roy Scheider's character was having with affair with was very dark. I mean the whole film is very serious but I enjoyed it a lot. The way Roy Scheider gets rid of most of the bad guys is different. He uses their own securities against them and at the end the main freaky villain got a great death. I was pleasantly surprised at how much I enjoyed this thriller.

Christopher J 10 Apr 2008

The score has dated the movie severely, but aside from that, this is actually a surprisingly well-made film. For those who love good cinematography, there's some astounding camera angles John got in this picture I still wonder how in the world he pulled off. The look and feel is good, plus the script has an interesting flow and pace to it. To top it off, Roy Scheider, John Glover, and Clarence Williams are absolutely awesome in the film. A lot of depth to each performance, making something that at first appears a cheesy, cheap 80s film turn into a far better piece of gritty crime pulp. Definitely another Frankenheimer film that shouldn't have been forgotten.

Scott Weinberg 25 Jul 2002

Overbaked, underfed Elmore Leonard adaptation.

Chuck Bowen 28 Jul 2020

52 Pick-Up loses its sense of social texture in the last third when everyone begins to die by decree of formulaic three-act screenwriting, and its indifference to the plight of Harry’s wife (Ann-Margret) is unseemly, but the film is an often nightmarish gem awaiting rediscovery.