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Whity (1971)

"Whity" is the mulatto butler of the dysfunctional Nicholson family in the American Southwest in 1878. The father, Ben Nicholson, has an attractive young wife, Katherine, and two sons by a previous marriage: the homosexual Frank and the feeble-minded Davy. Whity tries to carry out all their orders, however demeaning, until various family members ask him to kill some of the others.

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Deusdedit D 26 Mar 2013

si algo tiene el filme, es una muy bonita fotografía, además de que Fassbinder aprovecha muy bien las locaciones de famosos westerns para hacernos entender la soledad y tristeza de todos los personajes. Es un filme donde la cámara se mueve poco, donde los actores dramatizan tanto y otras veces quedan callados...y me parece el adecuado filme para acercarse a Fassbinder. No fué mucho de mi agrado, pero me permitió conocer a este interesante director.

Greg B 25 Aug 2012

An off-beat Brecht like take on the western. It's not a great film but it is perhaps one of the more interesting foreign films I have seen. Excellent cinematography and production design.

Lisa Alspector 01 Jan 2000

Fassbinder's provocative 1970 meditation on race and class.

David H 27 Jul 2009

This Movie is the perfect Perfomance of a Southern Patriarchs House they wealthy but disastrous the Patriarch is a mean Facsist who don't give a Fuck about anybody else his Wife is depressed and abject one Son is Gay and bored one his retarded and the Third Son is his Slave which Monster hold his own Son as a Slave Whity is typical Uncle Tom serving his Master don't ever say a bad Word to him and do anything he wants but everything has a End sometime in this Movie you really feel this disturbing Audience, a really nonconform Western and one of Fassinders best Movies

elisa k 14 Oct 2008

E? il primo Western Tedesco che vedo e penso siano anche abbastanza rari. E? un melodramma neorealistico in cui la tematica principale sembra essere una critica allo schiavismo e al materialismo della classe borghese. Ma non mancano scene surreali e folli degne del regista, omosessuale e assimilabile in tutto e per tutto al nostro Pasolini. Bellissimo il finale del film anche in questo, ritroviamo una visione Pasoliniana del tema dell?incomunicabilità, l?utilizzo della metafora del deserto.