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Welcome to L.A. Full Movie

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Welcome to L.A. (1976)

The lives of a group of Hollywood neurotics intersect over the Christmas holidays. Foremost among them, a songwriter visits Los Angeles to work on a singer's album. The gig, unbeknownst to him, is being bankrolled by his estranged father, a dairy magnate, who hopes to reunite with his son. When the songwriter meets an eccentric housewife who fancies herself a modern-day Garbo, his world of illusions comes crashing down.

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4 Comments

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Thomas K 29 Jun 2014

Alan Rudolph's first film and it's as if he took the worst ideas of Jean-Luc Godard and his mentor, Robert Altman, and thought they were gold. The film is truly awful but I've never really been able to resist it, to my utter shame.

David J 12 Jun 2009

what a boring uninteresting mess....even with Altman producing and Rudolph cribbing some of his moves and pretty good performances by Spacek and Keitel, this just wasn't good.

Greg W 25 Nov 2011

sort of altman-lite, tho rudolph is a bit more of a romantic. this is altman's erstwhile assistant's debut feature, which seems like the continuing adventures of keith carradine's character in 'nashville'. he plays a writer of rather bad songs and son of a millionaire, who has a string of relationships with altman regulars sally kellerman, geraldine chaplin, sissy spacek, etc. even lauren hutton and harvey keitel are in this, harvey smoking a pipe and acting mostly uptight. some good performances and dialogues and structure similar to 'shortcuts', this was the first of a trilogy that ended with the far superior 'choose me'. rudolph seems to use distinctive music in each of his films, and the biggest problem here was the terrible folk-rock singer, richard baskin, whose performances throughout provide a running commentary on the characters' lonely lives. it was all i could do not to fast forward through these parts, but the film was interesting enough to finish

Steve B 21 May 2015

Alan Rudolph's directorial debut remains odd, quirky and filled with a sort of lazy and erotically charged energy. Far from perfect, but a very interesting perspective on a very specific group of people, place and time long since gone.