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The Tarnished Angels Full Movie

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The Tarnished Angels (1957)

In the 1930s, once-great World War I pilot Roger Shumann performs as a daredevil barnstorming pilot at aerial stunt shows while his wife, LaVerne, works as a parachutist. When newspaper reporter Burke Devlin arrives to do a story on the Shumanns' act, he quickly falls in love with the beautiful--and neglected--LaVerne.

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Courtney S 21 May 2008

The Tarnished Angels - Lost souls seek to sell the American capitalistic adverture in several forms, those in early flight and those in the 'free' press. Everybody in this films wears their masks to get through the day all the while holding up some ideal vision which becomes an ever fading mirage. This is the masterpiece Tarnished Angels. The camera charts the dymantic the four central characters create. Embodied masterfully by Rock Hudson(in purhaps in best performance), Robert Stack, Dorathy Malone and Jack Carson. They have long formed their figurative barriers in the roles they perform for the crowd and in the end it kills the one they love the most. One woman finds escape from a destructive legacy which has nearly destroyed everything for her. I so love Sirk: Melodrama at it's finest.

Anderson G 19 May 2013

Se fazendo de melodrama, Sirk traça um pungente e melancólico filme sobre a ausência de limites na busca por uma paixão, o que geralmente não tem nada de romântico.

Jesse L 13 May 2004

(VHS) (First Viewing, 3rd Sirk film) Review for this and [b]The Bride Wore Black[/b] tomorrow. Because then I'll be done with finals and home from school. Needless to say, I think this is my favorite Sirk film so far.

David S 27 Aug 2010

Some interesting scenes, but the melodrama doesn't work in this Sirk film, especially when it's necessary to have Rock Hudson explain the tragedy of the affair to his newspaper colleagues as the film comes to a close.

Mark S 18 Oct 2009

Photographically, this is some of Sirk's best work, even in black and white... especially in the stunning aviation sequences, but also the moody lighting. And some of the dialogue sparkles (which is likely more Faulkner's doing than Sirk's) and Hudson delivers a speech worthy of Chayefsky. But otherwise it's not that hot. Sirk does melodrama better than anyone, and the movie is certainly watchable, but there just isn't much to it. Still worth seeing, though.