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The Skull Full Movie

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The Skull (1965)

Esoterica collector Dr Maitland buys an unusual skull from his ordinary source; the artifact is what remains of the Marquis De Sade. Much too soon, Maitland discovers that the skull is turning him into a frenzied killer.

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5 Comments

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Ben C 28 Oct 2008

Oh man did I love this movie! While it certainly doesn't hurt that I am big fan of Hammer and Amicus productions, this was an exceptional film even within that catalog. The atmosphere and suspense are really well done, and Cushing's acting is superb. Freddie Francis's talent as a director is also apparant in many of the mood establishing shots that he creates.

Mannie L 10 Aug 2008

Another great movie from Freddie Francis and cinematographer John Wilcox. I sort of wrote off the Amicus movies but they turn out to have really tight stories. Wonderful weird scenes that come out of nowhere.

Simon D 10 Nov 2013

The first major flaw in this film was how they depicted the Marquis De Sade, which, quite frankly, is irresponsible. Imagine some kid, going through a goth phase watching this and then wanting to research the work of De Sade to find out about this supernatural monster who dealt with witchcraft and the occult. That poor kid is going to get the shock of his life and may be scarred mentally. This was quite a boring film, I fell asleep for the final third but my mates tell me it didn't get any better so I'll leave it at that.

Tony M 15 Oct 2013

The Skull's tag-line reads, "When the skull strikes, you'll scream!" That generic phrase alone should serve as a warning of the boredom to come. The film is about a possessed skull with supernatural powers and unexplained evil motives. Although it stars the legendary Peter Cushing and Christopher Lee, it has very little dialogue and isn't compelling nor even somewhat believable. It's a difficult watch but there are some very well done first-person camera shots that will remind you of John Carpenter's Halloween. 2/5

Matt F 27 Dec 2010

Having a plot that was lifted practically in its entirety by Roman Polanski for his film The Ninth Gate, Freddie Francis' The Skull doesn't suffer from any of the artistic fence-straddling of the aforementioned disasterpiece. Francis was a well-heeled genre vet by the time having directed several other Amicus and Hammer productions before then. It's only real obvious failing was a climax which is preceded by nearly 10 completely dialogue-free minutes.