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The King (2018)

A cultural portrait of the American dream at a critical time in the nation's history. Set against the 2016 American election, The King takes a musical road trip across the country in Elvis Presley's 1963 Rolls Royce.

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5 Comments

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Ray Pride 19 Jul 2018

A fitting film to have Errol Morris, Steven Soderbergh and Roseanne Cash as executive producers: a slippery discourse about music, meaning and moment seen through the figure of one of the great tricksters of "strange old America."

Rich Cline 21 Aug 2018

Jarecki's points about the true nature of US history are frighteningly on-the-nose.

Joey Magidson 10 Oct 2018

Elvis is clearly used as a metaphor by Jarecki. Undeniably progressive in his approach and his politics, the filmmaker still crafts a compelling portrait that reaches beyond simply ideology.

Peter Travers 23 Jun 2018

It's hard to pinpoint exactly when this random, scattershot, overreaching movie stops spinning its wheels and starts flying on a cumulative power that floors you. But when it happens – kapow! By the end we’re looking at Elvis, America and ourselves with new eyes and wondering, once again, if the truth really can set us free.

Nora Lee Mandel 27 Jun 2018

Pushes metaphoric parallels between life of Elvis and American exceptionalism as far as his 1962 Rolls-Royce can go. Car and doc break down...Insight gets drowned out .