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The Elementary Particles (2006)

Based on Michel Houellebecq's controversial novel, Atomised (aka The Elementary Particles) focuses on Michael and Bruno, two very different half-brothers and their disturbed sexuality. After a chaotic childhood with a hippie mother only caring for her affairs, Michael, a molecular biologist, is more interested in genes than women, while Bruno is obsessed with his sexual desires, but mostly finds his satisfaction with prostitutes. But Bruno's life changes when he gets to know the experienced Christiane. In the meantime, Michael meets Annabelle, the love of his youth, again.

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Codie E 23 Oct 2007

A very good adaptation of a difficult novel. Roehler makes the right changes where necessary to add dramatic weight while keeping more than enough of the book, particularly dialogue, to keep fans happy. The oerformances are superb, particularly the central half-brothers.

Minna S 29 Jun 2011

Despite all those big names, the movie turns out to be quite of a turn-off. The characters are not likable - or even understandable in their actions. And it is boring, too.

Chris S 19 Dec 2007

Moritz and Franka do better acting performances in their other movie, Lola Rennt. I only love the first half of the film. Michael and Bruno are very interesting characters and that's why I kept watching the film. But I find some of the dialogue such as Bruno's racist comments very offensive.

Gizem B 22 Dec 2008

Must confess, I haven't read the book. Acting was great - particularly from Moritz Bleibtreu. If you like movies about dysfunctional groups of people - this is exactly that!

Wut S 05 Jun 2008

Over-sentimentalism probably isn't the exact word I have in mind, but that was what gagged me throughout the film. Two half-brothers share the same fate that of a b**** mother. One turns out to be an introvert who never reciprocates love given from his childhood girl, the other a psychopathethic, Nietzschean sexual freak finding a hard time trying to shape the world according to his desire. This is one of those modern dramas created to captivate, to relate, to demonstrate the ever-fashionable, mild existential crisis of our lives. Most kinds of this film I largely disregard, but this one fortunately holds solid performance and decent cinematography. If the film had emphasized the concept of cloning more against the modern life, it would have more potential, I feel.