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Takeshis' (2005)

Beat Takeshi lives the busy and sometimes surreal life of a showbiz celebrity. One day he meets his blond lookalike named Kitano, a shy convenience store cashier, who, still an unknown actor, is waiting for his big break. After their paths cross, Kitano seems to begin hallucinating about becoming Beat.

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5 Comments

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Beth B 27 Jul 2007

There's a lot going on in Takeshi Kitano's new film. We're initially introduced to a famous movie star, Beat Takeshi, and then to his look-a-like, a nobody store assistant and wannabe film extra named Takeshi Kitano. When the latter is mistaken for Beat Takeshi, his life gradually begins to descend into a world of gangsters and guns, while the film itself becomes ever more disjointed and reminiscent of the Nouvelle Vague at its most baffling. At one point, we cut to a giant caterpillar suspended by elastic on a clifftop. Still, there does seem to be meaning to the madness. It actually feels like Kitano the director (who, logically, plays both lead roles) is critiquing or at least gently ribbing his own ultra-violent films and the persona he's created for himself. Finally, however, this extraordinary film is perhaps best read as a hommage to the kind of fantasy worlds that Kitano is so very skilful and successful in creating.

Tomek S 19 Feb 2009

Narcissistic? Of course = the point. super decomposing of self. Is this a guilt trip to him or a smack in the face? Love the two headshots in a row. Great start to his deconstruction period.

Benoît R 21 Feb 2011

Kitano qui parle de son double. Ou l'inverse? Kitano acteur et Kitano dans la simple vie. Mais surtout de la passion de Kitano vis-Ã -vis du monde du spectacle et de ce qu'il a toujours voulu Ã (C)tÃ (C). En tout cas tel est le message. Le Kitano de la vie quotidienne qui aspire Ã tout prix Ã Ãªtre sur un plateau tÃ (C)lÃ (C), Ã pouvoir dÃ (C)crocher un rÃ´le au cinÃ (C)ma ou dans un tÃ (C)lÃ (C)film. Ce Kitano de la vie quotidienne qui se met Ã rÃªver. C'est lÃ que le film part un peu trop dans tous les sens et oÃ¹ j'accroche lÃ (C)gÃ¨rement moins. Toutefois, Ã§a reste une oeuvre sympathique oÃ¹ Kitano se dÃ (C)voile Ã (C)normÃ (C)ment sur ce qu'il est et sa passion du mÃ (C)tier.

Jan N 05 Jun 2007

Returning in tone and form to Getting Any? (Considered by some as Kitano's low point) this is equally surrealistic and lowbrow funny, but also manages to mix in a bit of esoteric surrealism for good measure. However, previous Kitano films are essential viewing in order to 'get' any jokes.

Javaka S 03 Jun 2007

Shockingly violent, yet beautifully strange, this movie is a poke at Kitano's films as well as his career. By far, his best work yet.