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Stage Fright (1950) Full Movie

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Stage Fright (1950)

A struggling actress tries to help a friend prove his innocence when he's accused of murdering the husband of a high-society entertainer.

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5 Comments

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Paul Z 24 Oct 2010

This is such a creative and fun mystery movie. Sometimes it's a little confusing maybe, but in the end it's worth it. For some reason this is a lesser known Hitchcock movie, but it's one of my favourites, and I highly recommend it.

j c 22 Apr 2007

This is my favourite Hitchcock film. A view which seems to be unique to my taste. Perhaps it is not as intense and sophisticated as his other films, but I could watch it forever.

Paul D 03 Mar 2009

This is definately not prime Hitchcock, mainly because the story gets a little too complicated, but his direction is a little flat as well. Alastair Sim is nonetheless an enjoyable watch getting all the best lines.

Stephen C 27 Dec 2011

Made in 1950 just before the ace Strangers on A train this brit based Hitch film seems to have become lost among the directors later work. Starting with the false flashback (I wonder if Brian De Palma has studied this film) Hitchcock weaves a cunning tale of lies and truth and of course some wonderful scenes ,most notably the Garden party and the final act in the theatre. Many including some say Hitchcock himself were unsatisfied with the final result and while some of the acting is atouch ropey, and perhaps the film meanders in some places,you get a wondeful Alistair Sim peformance and a lovely cameo from Joyce Grenfell. A solid Hitchcock film and one that deserves to be more widely known

Adam R 28 Dec 2013

A drama student at the Royal Academy is approached by an old friend, whom she loves, that pleads her to help him out of the accusations of a murder he did not commit. Great cast and good performances. But this is much less inspired than one would expect from a Hitchcock film, and most disappointingly, the lack of proper suspense almost reveals a lack of interest by the director who allows a few plot holes and implausibilities to plague the screenplay.