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Scarlet Street Full Movie

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Scarlet Street (1945)

Cashier and part-time starving artist Christopher Cross is absolutely smitten with the beautiful Kitty March. Kitty plays along, but she's really only interested in Johnny, a two-bit crook. When Kitty and Johnny find out that art dealers are interested in Chris's work, they con him into letting Kitty take credit for the paintings. Cross allows it because he is in love with Kitty, but his love will only let her get away with so much.

Kindly Note: The movie player is displaying a full movie stream of "Scarlet Street", which was in cinemas in 1945. To watch an alternative version, scroll further down to find direct links to more movies with the same title as this one from different years of production.

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5 Comments

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Matt M 24 Dec 2013

An older and quiet cashier, who is a dedicated Sunday painter, falls for a young woman whom he saves from a beating one night. Soon enough she, along with her crook boyfriend, starts exploiting the man's emotions and paintings. A film about obsession and the illusion of love, as dark and painfully honest as they come. Lang once again examines the uncomfortable side of crime, a crime of passion that feels like a noir revenge flick too, and makes use of great atmospheric and psychological tension. It's very interesting to notice the element of painting as the expression of hidden away inner feelings. The violent and dark ending is hard hitting, while Edward G. Robinson's performance is masterful in its portrayal of piteous illusion.

Isana L 07 Jun 2007

One of my favorite films. Edward G. Robinson is fantastically pathetic.

VJ B 10 Jul 2011

How is this in the public domain as opposed to getting digitally restored?

Eric R 08 Feb 2009

Decided to revist this and its just so fucking good. Edward G Robinson does an amazing job. This film is just so goddamn mean. Everyone is rotten as hell and its just an awesome noir. This has got to be one of if not Lang's best.

Alexandra W 04 May 2010

While this rather racy little picture is not my favorite and moves rather slowly, it has many, many great aspects: domestic violence/pimping, long-lost husbands in eye patches, ridiculous modern art, deceit, jealousy, murder, descent into madness/homelessness. Everything a girl could ask for. Also, Joan Bennett oscillates from really good femme fatale to really hard-to-watch scenery chewer. Pretty fun all around.