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Paranoiac (1963)

Eleven years ago, the wealthy Ashby family was shattered when Mr and Mrs Ashby died in an airplane crash and their grieving son Tony committed suicide. All who remains is cruel Simon, an alcoholic in desperate need of funds; his mentally fragile sister Eleanor; and his protective aunt Harriet. Simon is just weeks away from receiving his inheritance, but there's a hitch in his plans when the long-believed dead Tony suddenly arrives.

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5 Comments

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Michael G 05 Oct 2010

From what I've seen to this point, there seem to be two different types of Hammer films. You've got the colorful atmospheric gothic-styled monster movies then you've got the more drab black and white psychological suspense types. I'll openly admit to liking the former better but every once in a while I run into one that kind of questions my preference. Paranoiac didn't make me question my allegiance. Its certainly not an awful movie by any means, it just shouldn't be one of the first Hammer movies you see. Freddie Francis' direction was pretty good (the climax was particularly well done) and the acting for the most part was pretty good with Oliver Reed doing an excellent job at playing an absolute asshole. Paranoiac isn't a bad movie to have under your Hammer belt provided you've seen at least 10 with Christopher Lee and/or Peter Cushing first.

Benny B 10 Feb 2012

The best part of this movie is watching Oliver Reed chew the scenery. Otherwise, it's one of the worst movies ever made.

Scott S 28 Sep 2009

Paranoiac (1963) -- [6.5] -- A mystery thriller from Hammer Films that keeps the plot twists coming. Members of the Ashby estate await their inheritance as a mysterious figure shows up on their doorstep. He claims to be the youngest son, who left a suicide note eight years ago and was presumed dead. Everyone has their suspicions, but the truth isn't fully revealed until the end of the movie. "Paranoiac" is well directed by Freddie Francis, a two-time Oscar-winning cinematographer and Hammer alum. Oliver Reed is memorable as the surly, drunken older brother. The film is less fanciful than most other Hammer titles, but it's also a little more sophisticated than most.

Bruce B 12 Nov 2010

So far this has been by far my favorite venture into the world of Hammer horror. "Paranoiac" boasts an impeccable script (you think you know where the story might be going--and then five minutes later you find out you're wrong--and then forty minutes later you find out maybe you were right after all, but only sorta), tremendous performances (Scott is great, Davion has charm and a commanding presence, and Oliver Reed gives a performance that deserves to be mentioned alongside Orson Welles' Harry Lime and Robert Walker's Bruno in "Strangers on a Train"), and the direction is perfect: taught, suspenseful, and engaging. The cinematography is eerie, lonely, and elegant in a way only black-and-white Cinemascope can be. There's almost never a false note in the film's perfectly paced eighty minutes. One of the great psychological thrillers. Deserves far more recognition.

Ryan V 09 Oct 2016

A wonderfully twisted film that deserves to be remembered. The Ashby family is wealthy, scandalous, and entirely insane. Oliver Reed in particular stands out. His character is a chain-smoking, alcoholic, abusive jerk and dominates every scene he's in.