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Odds Against Tomorrow Full Movie

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Odds Against Tomorrow (1959)

An old-time crook plans a heist. When one of his two partners is found out to be a black man tensions flare.

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5 Comments

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jay n 17 Oct 2010

Solid crime caper is a little heavy on the symbolism but is well acted and tightly directed with an intriguing and apt music score. Gloria Grahame, who looks pretty rough, is wasted in a small meaningless part.

Tom H 10 Nov 2007

Superb film noir with finely drawn characters and a deliberate but engrossing build-up. Harry Belafonte and Robert Ryan play two sides to the same coin, and each elicits a performance so layered that they are at once sympathetic and unlikeable at times. Ed Begley, as the shopworn ex-cop looking for his own slice of the American Dream maintains just the right level of neutrality, likability, and ruthlessness to keep these two from tearing each other's throat out. Coming a year after Orson Welles' "Touch of Evil," it's proof that in 1959, the noir genre still wasn't dead, and multi-genre super-director Robert Wise does a masterful job of keeping the pace fluid and straddling the edge between taking sides. Ryan was one of the best badasses of his time, and Belafonte proves his acting chops with flying colors.

Variety Staff 09 Jul 2018

Director Robert Wise has drawn fine performances from his players. It is the most sustained acting Belafonte has done. Ryan makes the flesh crawl as the fanatical bigot.

oliver s 31 May 2010

A decent noir, or perhaps an early neo-noir, starring Robert Ryan and Harry Belafonte as two members of a trio planning a bank robbery who are at odds over race. Ryan plays a racist ex-con whose distrust of Belafonte because he is black brings their plan to ruins. The visual style of the film is excellent and it is set to a good jazz score. It portrayal of racism contains interesting features, such as Ryan's inability to sustain the independence that is part and parel of his attitude toward Belafonte, but it is also at times overly melodramatic, which lends itself to a somewhat shallow critique.

James H 14 Nov 2009

Good stuff. It's been quite a few years since the last time I saw a Harry Belafonte film, I had forgotten just what a tremendous actor he really is (was). This is a noir classic that will hold your attention wire to wire. Note: Did the ending remind anyone else of White Heat? ("Top of the world, Ma!")