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Macario (1960)

Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.

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Rita G 31 Aug 2008

This film made a powerful impression on me when I first saw it as an 8 year old. Its message of how ones choices affect those around rings true still. Only now as an adult have I learned to appreciate the subtly of Igancio Lopez Tarso's portrail of the simple woodcutter.

Miguel L 09 Jan 2008

When watching Macario I'm happy to see that its magic has endured since 1960. Although this film distances itself from the happy, naive and joyful musical movies made in the Golden Years of Mexica cinema, it still lacks the cynicism of later productions. The best thing of the film is Macario himself: he speaks little, but we know that behind those eyes, a lot is going on. Roberto Gavaldon engineered a jewel out of Traven's very short book; Igancio Lopez Tarso made a classic with this quiet character, and I was amazed to find in Pina Pellicer one of the most beautiful women in Mexican movies. It is sad to see movies like this are no longer made. Mysticism has no place in Mexican cinema right now (with a few... quite a few, and I mean quite a FEW -near to NONE- exceptions)

Mario A 31 Jan 2010

If Ugetsu and Seventh Seal had a Catholic baby in Mexico it would be this film! It's shot by Gabriel Figuroa, the acclaimed cinematographer of Mexico's Golden Era, and it's just beautiful. Its mood is closer to Ugetsu, but the main character is far more endearing. This film deals with class and spirituality in a really interesting way. I wish this film got more attention and acclaim.

Joaquín F 05 Dec 2016

Una obra maestra, que más allá de hablar de la muerte y hacer un retrato de la idiosincrasia mexicana, tiene disertaciones acerca de la vida, del bien, del mal, miseria, el poder, la soberbia humana. Tiene aquello que se va olvidando con los años, elementos básicos y ancestrales del día de muertos, usos, costumbres, creencias populares te llevan de la mano y te mantienen al filo de tu asiento. ¡Simplemente genial, increíble, magistral!

Andrea Gronvall 25 May 2016

Roberto Galvadon's 1959 rags-to-riches fable combines magical realism and folkloric elements of Mexico's Indianist movement with results that are alternately comic and poignant.