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Insignificance (1985)

Four 1950s icons meet in the same hotel room, and two of them discover more in common between them than they ever anticipated.

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5 Comments

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Art S 19 Feb 2015

Einstein, Marilyn Monroe, Joe Dimaggio, and Joe McCarthy walk into a bar...or rather a hotel room. That's the basic plot of Nicolas Roeg's film which is a stage play that has been opened up a little bit. Michael Emil and Theresa Russell basically do impersonations of the first two whereas Gary Busey and Tony Curtis are probably just winging it. The good thing here is that the script (by playwright Terry Johnson) doesn't really follow any known or expected trajectory so it feels fresh. However, it isn't always clear what the point is. Perhaps there is something being said about the perils and side effects of fame and/or the unintended consequences of one's behaviour (that are a result of it becoming famous)? Nic Roeg doesn't lend any recognisable technique to the film - there are a few flashback or thought bubble moments visualized briefly by the characters but not enough to bring us back to the moods or cinematography of Walkabout or Don't Look Now.

Robert B 07 Mar 2015

about on par with every other Roeg movie I've seen

Adam Nayman 26 Nov 2018

A true oddity even by the filmmaker's standards, it's a minor masterpiece of American counter-mythology, with the most comically apocalyptic finale since Dr. Strangelove.

Dennis Schwartz 01 Jan 2000

It is a noble idea for a film to satire some of the best known American pop culture heroes of the 1950s.

Anna B 15 Jun 2013

An interesting idea for sure, where the four main characters are never named personally, but look and act a lot like Albert Einstein, Marilyn Monroe, Joe DiMaggio and Senator Joseph MacCarthy. I thought the idea worked for awhile, but since it is based on a play it boils down to a lot of talking and it just got old for me after awhile. The acting is all great and everyone seems to look the part. I really liked Russell as Monroe, as she was sexy and hard to keep your eyes off of, just like Monroe was. They also put in all these little things to remind you this is an ART movie, which do more to annoy than anything.