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By the Grace of God Full Movie

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By the Grace of God (2019)

Alexandre, a man in his 40s living in Lyon with his wife and children, discovers that the priest who abused him decades ago continues to work with children. He joins forces with others victims of the priest, to bring justice and "lift the burden of silence" about what they endured.

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Odie Henderson 18 Oct 2019

While this is a true story, Ozon goes the fictional movie route, taking a bit of dramatic license while keeping most of the actual details intact. The director impressively juggles the large scope of his script while maintaining the sense of intimacy for his male actors that he normally reserves for his female characters.

Mick LaSalle 30 Oct 2019

By the Grace of God begins to spin its wheels, with unnecessary scenes that give color to the events, when we’re more interested in the grand movements.

Peter Bradshaw 24 Oct 2019

Ozon has made a decent and valuable film, though it often seems like the drama part of a docudrama: some of the scenes feel like respectful re-enactments that could have gone into a documentary.

Brent_Marchant 08 Nov 2019

While the film sensitively deals with serious subject matter and becomes steadily more compelling as the narrative plays out, the overall fact-based story line nevertheless tends to be a little too "tame" in addressing its material and regularly becomes bogged down by extraneous scenes that add anecdotal touches but not much in the way of meaningful substance. One gets the impression that the film's heart is in the right place but that it wasn't willing to go for the jugular more than it probably should have. The Catholic Church may wield considerable power, but that doesn't immunize it against justified scrutiny and criticism, no matter how much good work it may do. This film misses the chance to take up that challenge and dish out the just desserts that the institution has coming to it.

Carlos Aguilar 20 Oct 2019

Ozon manages to instill a measured touch into every argument, outburst, and testimony, matching the naturalistic cinematography (by Manuel Dacosse, “Let the Corpses Tan”) and bestowing on us the most important and assured movie on this treacherous topic made this decade.