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Boogie Woogie Full Movie

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Boogie Woogie (2010)

In London's contemporary art world, everyone has a hustle. Art Spindle runs a high-end gallery: he hopes to flip a Mondrian for millions. One of his assistants, Beth, is sleeping with Art's most acquisitive client, Bob Macclestone. Beth wants Bob to set her up in her own gallery, so she helps him go behind Art's back for the Mondrian. Bob's wife, Jean, sets her eye on a young conceptual artist, Jo, who lusts after Art's newest assistant, Paige. Meanwhile, self-absorbed videographer Elaine is chewing her way through friends and lovers looking to make it: if she'll throw Dewey, her agent, under the bus, Beth may give her a show. And the Mondrian? No honor among thieves.

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5 Comments

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Neil Smith 21 Apr 2010

An all-star cast flails about to no discernible purpose in Duncan Ward's Altman-esque satire, a flaccid take on the London art scene that doesn't appear to have benefited from having Damien Hirst as consultant.

xniquet L 25 Dec 2011

One thing's for sure here, the twisted world of art isn't that interesting anyways.

Aaron Hillis 19 Apr 2010

Director Duncan Ward tries way too hard to nail a way too easy target in his sub-Altman ensemble spoof of the overpriced, overhyped, overly pretentious modern-art scene.

Thomas W 30 Nov 2010

Ugh ... a rambling mess of a romp in the London art scene. This film, which has a pretty decent cast -- Danny Huston (Birth), Amanda Seyfried (Mean Girls), Stellan Skarsgard (Angels & Demons), Christopher Lee (the Star Wars prequels), Alan Cumming (Circle of Friends), Gillian Anderson (The House of Mirth), Heather Graham (Boogie Nights), Charlotte Rampling (Swimming Pool) -- makes the already pretentious art scene even more so. None of the characters are likable (apart from perhaps Seyfried) and they are all self-obsessed. It is ugly people surrounded by ugly art -- since most of the art is simply created just for this film (the title of the film comes from an actual piece by Dutch abstract artist Piet Mondriaan called "Victory Boogie-Woogie"). The characters are all hollow shells and you've seen them all before -- the most annoying being "the angry lesbian". Does the film want to be smart, artsy, funny, witty, cutesy or what? It is actually just a shameless piece of crap called a movie. What were these people thinking?!?

Ed C 14 Sep 2013

Surreal, plausible and entertaining. Demonstrating artistically the flaws of art business as a waging war, the film has successfully indulged those who follow the lead of indirect messaging in several occasions such as film-within-the-film that spectacularly mischievous. Although it may sound corny but "on further consideration" the movie is so real to retreat the first word in this paragraph. Huston was fantastically shining and he had proven how easy to fill a dead character. On the other hand, Winstone's exaggerated performance has paled the painting, while Anderson's character has spiced up Jean, and so, the entire film.