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All Night Long (1962) Full Movie

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All Night Long (1962)

Over the course of one eventful evening, the anniversary celebration of the musical and romantic partners Aurelius Rex and Delia Lane, a jealous, ambitious drummer, Johnny Cousin, attempts to tear the interracial couple apart.

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5 Comments

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Trent R 08 Aug 2007

a nice little film where we get to see lots of jazz greats playing and also, the paddy as Iago, who gets lots of people to do bad things like smoke weed and suchlike.

Chris . 07 Dec 2008

Wow. Leave it to the Brits to produce an adaptation of Shakespeare as a meditation on race and interpersonal relations at the outset of one of the greatest decades of change. Othello, Shakespeare's own timeless and always timely meditation on these same issues, works as well in the early 1960s as it did in the early 1600s, and the soundtrack echoes the never ending discussion of race in relation to jazz music. If you recall Patrick McGoohan as King Edward I in Braveheart, you know how excellently he can play evil. Here McGoohan, as good an Iago as ever there was, is perfect in the villain role which, as is the case with most of Shakespeare's villains, tends to steal the show, and his quip about all the white jazz musicians holding a convention in a telephone booth provides one of the few funny moments to break the unrelenting tension in this edge-of-your-seat production.

Greg W 10 May 2016

Between Mingus, Brubeck and more There's some serious star caliber in this movie. Not to mention Patrick McGoohan's absolutely killer acting job- he apparently studied for months to get the drumming right and it adds so much to the film. A well done film that does a great job of updating but never tries to reinvent the wheel. It manages to catch the hipness of Jazz along with the volatile temperament of artists.

Miriam G 13 Feb 2011

Chafa, pero vale la pena verlas por las apariciones de Dave Brubeck y Charles Mingus.

Alex B 27 Aug 2011

You can see it in terms of ambition, jealousy, rage, hate, i.e. moral psychology, subjectivity (and rather too much reverse psychology, and too many timely thunderclaps when the music should have sufficed, though I like the ending). But all these are effects of bourgeois civil society, of business, of capitalism (and this film isn't unaware of that basic truth).