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Tomorrow (1988) Full Movie

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Tomorrow (1988)

On August 9, 1945, the Americans dropped an atomic bomb on Nagasaki. This film, based on a story by Mitsukaru Inoue, describes the daily life of people in Nagasaki the day before that fateful event. It presents the human drama of people's lives, and their feelings of joy and sadness. These include a newlywed couple, an expectant mother, and lovers who must say farewell because the boy is called to serve in the army. Each of these people, like others in the city, hoped to live with their dreams for 'tomorrow'. But tomorrow never comes for them, as their lives are brought to an abrupt and unexpected end. Knowing how the story ends, in this case, doesn't detract from it at all; rather, it enhances the emotional impact, which is further heightened by the poignant musical score from Teizo Matsumura. 'Ashita' is the first film in Kazuo Kuroki's 'War Requiem Trilogy,' which also includes 'Utsukushii Natsu Kirishima' (2002) and 'Chichi to Kuraseba' (2004).

Kindly Note: The movie player is displaying a full movie stream of "Tomorrow", which was in cinemas in 1988. To watch an alternative version, scroll further down to find direct links to more movies with the same title as this one from different years of production.

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5 Comments

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Diane W 08 Apr 2008

Stark black and white cinematography gives this film a timeless feeling... Beautiful acting by Duvall.

Pie M 12 Feb 2007

This is Duvall at his best and humblest role. I heard it was one of his favorites.

Bill K 08 Apr 2008

This wasn't bad but I didn't quite understand the ending.

Jonathan T 20 Apr 2009

A bleak story of love and loss in Faulkner's south, by way of Horton Foote and the great Robert Duvall. In the same year he worked wonders as Tom Hagen for Coppola, Duvall gave this amazing performance that is sure to remind you of Slingblade's Karl Childers. Fentry is a care-taker at a sawmill closed for the winter who takes in a pregnant woman who quickly becomes the love of his life. Understated performances match the austere surroundings and B&W cinematography that reminds you of so much Depression-era photography by Lange or Evans. The only problems this has is the awkward framing device that comes from Faulkner but is never really integrated into the rest of the story, and the frequent feel that the film is too faithful to the play and ignoring the opportunities that film provides.

SV G 04 May 2008

My personal favorite Robert Duvall film. Another Horton Foote screenplay from a Faulkner story