The Phantom of the Opera (1962) Full Movie
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The Phantom of the Opera (1962)
A London opera house is haunted by tragic events on its opening night, but when its star is kidnapped, a producer tracks down the Phantom who is intent on seeking his revenge.
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5 Comments
Trey L 08 Jan 2010
Okay, so it's set in London instead of Paris, gives a completely different backstory to the title character, and in all honesty features more Opera than Phantom. Even so, I love this movie - Michael Gough is wonderfully sleazy, and Herbert Lom manages to do more with one eye visible behind a full mask than some actors manage with their entire face visible. An underrated gem from Hammer Studios.
mike a 04 Dec 2009
capable reworking of the original. slightly wooden in places and not the most convincing of performances from Herbert Lom
Maryline H 31 Aug 2007
SEE! the GREAT Michael Ripper as Another Coachman! SEE! the legendary Miles Malleson as A Different Coachman To Michael Ripper's! SEE! future Doctor Who Patrick Troughton as The Ratcatcher who gets STABBED IN THE EYE BY A HUNCHBACK DWARF!! (Admit it, just that sentence alone makes you want to see this, doesn't it?) Gaston Leroux's oft-filmed tale is given the inimitable Hammer treatment - and very glossy it looks, too - featuring a top-notch supporting cast (which is just as well, as the two 'romantic leads' are a trifle dull). Herbert Lom is okay as the tragic, barmy Phantom (I guess Cushing & Lee were busy that week), but for me Michael Gough steals the film (as the REAL villain). Always great to see Thorley Walters, too. Good as it is - and it is - this is still a rather minor effort from Hammer, albeit one of their BEST minor efforts! (The 'opera' parts made me chuckle, mind - is opera really that naff or is it just this film's portrayal of it?)
Andrew I 03 Aug 2013
A Hammer Horror version of Phantom that turns out to be nowhere near as bad as one might expect. The Phantom's mask is a bit rubbish and they seem to have forgotten the story should be set in Paris, but everything else is perfectly decent. I enjoyed it rather more than I ought to. 6.5/10
Michael G 30 May 2010
Horrible fruitcake adaptations of the story aside, the tale of The Phantom of the Opera has never done a hell of a lot for me but if there was a version that was going to get me to change my mind the Hammer version would've been the one to do it. As always, Terence Fisher's direction is superb and the actual phantom looks pretty cool. The ending's kind of abrupt, ending just for the sake of ending and you never find out of Petry gets his revenge on D'Arcy. As with most Hammer movies, The Phantom of the Opera is all in the direction, set design and atmosphere, but not much beyond that...
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