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The Past (2013)

After four years apart, Ahmad returns to his wife Marie in Paris in order to progress their divorce. During his brief stay, he cannot help noticing the strained relationship between Marie and her daughter Lucie. As he attempts to improve matters between mother and daughter Ahmad unwittingly lifts the lid on a long buried secret...

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5 Comments

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haukyn 27 Jan 2014

Another powerful film by the director of A Separation, with this having less of the obvious dramatics of the former, but a similar exploration of moral uncertainty and, perhaps, the anguish of human experience. The Past employs a similar set of characters – modern Iranian woman, nice but slightly ineffectual husband, difficult teenage daughter, woman in a menial role who plays a catalytic role in the film. This time it was Paris, not Teheran, and Marie-Anne’s husband flies in from Iran to sign the divorce papers. To find his wife ... you'll have to see the film! Anyway, lots of subtle twists & turns in the plot, and the agony of the children caught up in these adult dramas powerfully captured. And the film ends with you left wondering about what's happened, and what happens next. A great way to leave the cinema.

Godfrey Cheshire 20 Dec 2013

Another brilliantly mounted drama concerning fracturing families, hidden motives and the difficulties of attaining stability in a rapidly changing world.

Steve Persall 19 Feb 2014

With The Past, Farhadi again displays a gift for poking into corners of nondescript lives and discovering unique drama.

Kevin Jagernauth 25 May 2013

This is a tremendously well written piece of work, with impressively developed characters, with scene after scene that further enriches and deepens our comprehension of their actions, yet never judges any of them. It certainly helps that Farhadi gets quartet of excellent, pitch perfect performances.

Joe Morgenstern 19 Dec 2013

The Past plays out within narrower bounds than "A Separation," and often at lower velocity — a few moments feel almost Chekhovian. Yet the film is commanding in its own right, another exploration of a volatile situation — an estranged husband returning from Iran when his wife requests a divorce — in which flashes of insight or understanding lead to new mysteries.