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The Night of the Following Day Full Movie

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The Night of the Following Day (1969)

A gang of four professional criminals kidnaps a wealthy teenage girl from an airport in Paris in a meticulous plan to extort money from the girl's wealthy father. Holding her prisoner in an isolated beach house, the gang's scheme runs perfectly until their personal demons surface and lead to a series of betrayals.

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Christopher S 09 Jun 2008

Uneven Euro crime thriller starts off incredibly slow - with a number of long takes where absolutely nothing happens - but it gets much better by the end. Some of the suspense sequences were expertly crafted, while others seemed strangely amateurish. Good performances, cinematography that is sometimes gritty and realistic and other times bland. But the 60s pop music score did get annoying.

Post G 03 Nov 2007

Quite poor execution of this rather banal screenplay. Pretetentious in parts, aspiring to Hitchcock or Frankenheimer, but the vapidity of the story lets down the rather clumsy direction. Brando is strangely unconvincing, and the rest of the cast is similarly distant.

Betty N 08 Mar 2010

I hated the very end of this, but everything leading up to it was excellent. Richard Boone pours on the sleaze as a methodical and dangerous manipulator, while Brando seems refreshingly improvisatory and back in form. I could have used more Lettieri, and Rita Moreno isn't given enough to do either. Stanley Myers jazz score is fantastic, especially building up to the ending. The night for night shooting is not a problem as much as the dismissive structure, which I found disappointing.

Lorraine L 09 Jul 2011

[80/B] After four low-rent criminals hole up with their kidnapped victim in a French seaside village, things start to unravel as foibles rise to the surface in the boredom and tension. Eventually, from the very midst of their unpromising plan, a more wicked scheme begins to close its grasp upon them. This is a quiet, low-key, modestly scaled crime drama that gathers its momentum from the stark realizations of the cast within their dreamlike surroundings. In the manner of many 60s films, it evokes luminosity and ambiguity all at once. Moreno is excellent, and Boone wonderfully creepy, while Brando delivers a very honest and gripping performance, refreshingly devoid of frills or tricks. The film's less than winning title may actually offer a clue to the enigmatic, if excessive, ending. Or not. But well worth watching for those who appreciate restraint and minimalism.

Penelope Houston 10 Jul 2018

Somewhere beneath this wayward surface, a better film may be trying to fight its way out.