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The Duke (2021)

In 1961, a 60-year-old taxi driver steals Goya's portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery's history. What happens next becomes the stuff of legend.

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Amy Nicholson 21 Apr 2022

It is a pity that Richard Bean and Clive Coleman’s script mires Bunton in a soggy family drama about an unresolved death; an elder son (Jack Bandeira) who flirts with crime; and a wife, Dorothy (Helen Mirren, so sheepish as to be near invisible), who is humiliated that her husband prefers prison to a stable home.

Elizabeth Weitzman 21 Apr 2022

Too many heartwarming comedies, especially those with mature leads, eventually expose themselves as cynical contrivances. The same could be said for some of the based-in-truth dramas that have started to feel inexorably churned out. In its affable sincerity, The Duke is both their opposite and their antidote, a feel-good entertainment for feel-bad times.

Mauro_Lanari 20 Jun 2022

(Mauro Lanari) The expectation is to witness a social issue like those of Loach treated with the panache of the Michell of "Notting Hill", here at his latest film before dying at the end of the summer of the following year. But the biopic is about a bizarre protagonist whose events do not reach neither drama nor comedy. The new Robin Hood, a 60-year-old John Doe who fights injustice, power and system, is impertinent and witty more in theory than in practice, emotionally blurred and shaky as the closet in which he hides the painting. We observe him hoping that the brilliant talent of the two main actors will make up for the shortcomings of the true story of Kempton Bunton and his family, but perplexities take over. "The limit [...] of English cinema so [impeccably delicious, sophisticated], reassuring and predictable is [precisely its being devoid of] ripples, inert as a Sunday afternoon" (Enrico Azzano).

Brent Simon 20 Apr 2022

If the film isn’t quite as complicated as one might sometimes wish it to be, that isn’t to say that this unassuming version of its decidedly strange true tale is anything other than agreeable on its own terms.

Deborah Young 14 Sep 2020

A funny-moving story enjoyably retold with classic British understatement and just the right twist at the end.