0:00 / 01:22:41

The Crimson Kimono Full Movie

Watch the full movie online in HD with our instant movie streaming service.

Watch Online

Download Now

The Crimson Kimono (1959)

Two detectives clash over the hunt for a burlesque dancer's killer in Los Angeles' Japanese district.

Kindly Note: The movie player is displaying a full movie stream of "The Crimson Kimono", which was in cinemas in 1959. To watch an alternative version, scroll further down to find direct links to more movies with the same title as this one from different years of production.

Watch The Full Movie brings you "The Crimson Kimono" - the entire movie is free to watch online. Watch the complete movie from beginning to end on any Internet-connected device. Services from our providers give you access to The Crimson Kimono (1959) full movie streams. The full 82 minutes are available to watch right now exactly how the director intended - with no stoppages for adverts or other intrusions.

Thousands of popular movies just like The Crimson Kimono (1959) are ready and waiting for you to watch for free when you join one of the online full movie streaming services from our partner websites. Many award-winning movies are included with your free trial - not to mention this full movie version of The Crimson Kimono (1959).

Watch hundreds of movies for free when you start a free trial. Get up to 30 days free access. The duration of the free trial varies by country/region and service provider. Offers may be changed or withdrawn at any time. Cancel your account during the free trial to avoid being charged any recurring subscription fees. Full terms and conditions can be read on the advertiser's website.

5 Comments

Post a review or comment on this movie…

Eric R 12 Oct 2008

I found the way Fuller uses dialogue to be extremely fun. The way he mentions the face, and anything on the face, like ' I can see it in your face ' and stuff like that. I quite like how he uses that and brings this rather low-budget thriller with a not so entirely satisfying twist to life for the most part and even divert its tale.

Jack G 28 Sep 2007

one of Fuller's underrated (or just underseen) flicks, it's a lot of fun, specially in a packed theater, and has enough romantic melodrama to collide just splendidly with the hard-boiled noir.

Kris K 06 Feb 2009

Perhaps a minor Fuller, but I think his execution here of race relations is strong, a bit stronger than the more acclaimed yet slightly disjointed Shock Corridor. While Fuller treats similar tensions in House of Bamboo in a more sophisticated manner, here he is on home soil, driving messages home that much more. Perhaps a bit more melodramatic than his other works, I still think this is a strong film that marks his attempts to unite various genres -- i.e., noir, crime, thriller, social and political criticism -- as crucial in late-50s mainstream cinema.

Scott A 08 Mar 2018

i have 3 complaints about this movie- 1. The acting of James Shigeta- I Feel that this early in his career his acting was over the top, as was his performance. the climactic ending, where shigeta realizes the killer (Greene) is speaking about what she sees in the face of her lover is very clumsy. 2. The shadow of the camera panning in a bedroom scene of shigeta and shaw 3. The "board breaking" (or failure to do so) in "karate" scenes where those attempting to do so are in judo uniforms, with the word "judo" on a poster on the wall. Judo is not board breaking, and karate students don't wear judo uniforms. I think "house of bamboo" was a much better film, with better acting, and much more realism. making this "noir" movie weave around a love triangle was very awkward.

Daniel W 05 Sep 2008

Two detectives investigate the murder of a stripper gunned down in the streets of LA. Both fall in love with the sorority girl artist who is the only one who may be able to identify the killer. Joe chalks his partner's recent hostility towards him to racism (Joe is Japanese-American.), but doesn't consider that it may just be old-fashioned jealousy. Blunt writing and directing by Sam Fuller.