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Suture (1993)

A man named Clay flies into Phoenix for a reunion with his long-lost half-brother Vincent.

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5 Comments

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Michael Sragow 07 May 2017

It pivots on questions of what constitutes identity-the internal stuff of life or the external components of race, wealth, and status.

Emanuel Levy 01 Dec 2006

This stylishly elegant neo-noir, an impressive feature debut, reflects the directors' interest in issues of memory, identity, and racial biases and their background in art history.

David D 06 Jan 2013

Off-beat stylish with unconventional music that works great--Thought-provoking and mesmerising!!

Cynthia J 27 Dec 2007

Incredible, mind-blowing, gorgeous, puzzling, and altogether a reason to love cinema in all its glory.

Hans L 12 Apr 2009

The Freudian stuff here is, well typically Freudian: human beings are defined by what they lack and what trouble them rather than what they are agents of and what empowers them. But David Seigel and Scott McGehee's neo-noir is simply the dogs bollocks. The plot is standard: amnesia and self doubt, an investigation, a revelation. But it centres on two identical brothers who are played by two different actors: one black, one white. To further compound things it is shot in oozing monochrome and resurrects the pressing concerns of the Expressionists in film. In film theory suture refers to how narrative cinema "stitches" the audience into character perspectives by using the shot-counter shot device.