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Steppenwolf Full Movie

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Steppenwolf (1974)

In the bourgeois circles of Europe after the Great War, can anything save the modern man? Harry Haller, a solitary intellectual, has all his life feared his dual nature of being human and being a beast. He's decided to die on his 50th birthday, which is soon. He's rescued from his solipsism by the mysterious Hermine, who takes him dancing, introduces him to jazz and to the beautiful and whimsical Maria, and guides him into the hallucinations of the Magic Theater, which seem to take him into Hell. Can humour, sin, and derision lead to salvation?

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5 Comments

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Luis C 11 Jan 2013

Es muy difícil llevar al cine una novela tan compleja, es mejor leer el libro.

Hawk _ 02 Jul 2015

I'm not well read enough to even discuss the philosophical merits of this film, all of it is lost on me. That doesn't mean that this film isn't a crazy good time. It starts slow, and for around the first hour it's a standard story about a middle aged man that get involved with a mysterious woman. It's a nice story but it doesn't really seem to go anywhere, then we are introduced to the "Magic Theater" from this point on the film becomes a special effects tour-de-force. This part of the movie is shot on what looks to be video tape and gives this part a very different vibe than the rest of it, almost like an early MTV music video complete with rampant blue screen abuse. It's a great film if you're in the mood for such a thing.

Tio B 02 Oct 2008

There are three things I love in this film: 1) The Gilliam-meets-YELLOW-SUBMARINE animation, 2) George Gruntz's killer score, and 3) the experimental "video art" climax. That little weird-looking guy is cool too.

Clyde V 03 Feb 2009

this is one of the best ever done...superb acting ...faithful rendition of the book...my all time fave

Greg S 22 Mar 2009

Suicidal Harry Haller withdraws into a symbolic dream world where he comes to terms with his dual nature as man and beast, his destructively cynical assessment of Goethe, the fact that he desperately needs to get laid and smoke some dope, and other problems facing 1920s German intellectuals. A reverent and faithful adaptation of Herman Hesse's classic novel with some cool moments, but the performances are too restrained and languid, some of the accents of the international cast are impenetrable, and many of the "money shot" psychedelic effects in the Magic Theater finale seem campy and dated today.