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Sisters of the Gion Full Movie

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Sisters of the Gion (1936)

A geisha in the Gion district of Kyoto feels obliged to help her lover when he asks to stay with her after going bankrupt and leaving his wife. However, her younger sister opposes this, thinking that they should both find wealthy patrons to support them.

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5 Comments

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Spencer P 15 Dec 2016

Another expertly filmed working-class entry in Kenji Mizoguchi's filmography, though it comes with a more run-of-the-mill, partially unsatisfactory story.

Trill F 12 Aug 2009

A kindhearted geisha takes in a former client who has fallen on hard times, prompting her younger sister to seek wealthy patronage by fair means or foul. Who will prosper, the generous or the greedy sister? Well, neither one actually, which is precisely the point that Mizoguchi is making here: honourable or selfish, the geisha will be exploited just the same; she cannot win. The ending, a passionate tirade against the continuing existence of geisha girls in Japanese society, is bleak and powerful, but the male bad behaviour that sets it up feels a mite forced and unconvincing, out of character even. The two women are great though, especially Omocha (Isuzu Yamada), the younger sister, whose femme fatale-like duplicity drives the narrative. Lovely camerawork.

G S 22 Nov 2011

An interesting pre-war Japanese movie about Geisha sister's. One of the sister's doesn't want to be a Geisha and downgrade men generally.

Gabe Leibowitz 22 Dec 2003

Mizoguchi presents similar themes MUCH more powerfully in Ugetsu or Sansho the Bailiff; here, it falls flat

Flike S 09 Nov 2008

Mizoguchi's second in the Fallen Women series poses to be extremely slow, but somewhat moving. The directors look into the oppression that these women face is basically a sympathetic ode to women of this time period. Both of these women (Umekichi & Omocha) have their different views on the way women are treated, and both go different routes in living out their lives and how they approach their relationship towards men. Still, both end in what seems to be a tragic confinement, which they never could or will escape.