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Pinky (1949)

Pinky, a light skinned black woman, returns to her grandmother's house in the South after graduating from a Northern nursing school. Pinky tells her grandmother that she has been "passing" for white while at school in the North. In addition, she has fallen in love with a young white doctor, who knows nothing about her black heritage.

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5 Comments

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Sylvester E 06 Jan 2011

Evoking both his previous "Gentleman's Agreement" and his later "Streetcar Named Desire", this is Elia Kazan's first trip to the Southern Gothic, with expressionistic imagery and fine performances from Jeanne Crain and both Ethels (Waters and Barrymore).

Film4 Staff 23 May 2003

Made at a time when racial discrimination was as much a part of the fabric of American life as apple pie, this is an early stab by Hollywood at countering racism.

Mike F 07 Dec 2008

Elia Kazan made several great films, and this one seems to get overlooked. That's a shame, because it's one of the most important films about race ever made. A scary snapshot of our past, if not a little overdramatic. Jeanne Crain is wonderful in the lead.

Zenobia O 14 Jan 2009

At first I thought the casting of Jeanne Crain was totally absurd! I mean she doesn't even look a little black. She's as white as they come. I mean that was really a tough sale at first. But as the movie progressed her casting really began to work for me as it really served to exemplify how absurd racism actually is, how meaningless racial classification actually is. I'm not sure the movie would have had the same poignant effect had "Pinky" been more obviously of mixed heritage. The sting comes from the fact that she truly should be considered "white" but the simple idea of a black ancestor damns her. She IS as black as her grandmother even though her skin is the opposite color. Its pretty darn deep.

Elizabeth S 15 Mar 2012

Wonderful classic, very uplifting & inspirational despite the time period of the movie