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No Regrets for Our Youth Full Movie

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No Regrets for Our Youth (1946)

After her anti-fascist professor father is dismissed, Yukie navigates love, political repression, and wartime upheaval—ultimately forging her own path in pre- and post-WWII Japan.

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danny d 20 May 2008

one of kurosawa's earliest films, this one has his characteristic great diologue and thoughtful presentation. this is one of my least favorite kurosawa films, it starts well and sort of loses something along the way and the film drags you through things unnecessary to the story. but it was still very good in most respects. when one of kurosawa's worst films could be this good, its just more evidence that he was a master filmmaker.

Aren B 01 Jun 2008

Kurosawa was noticeably getting his barrings in this one, because the first half of the film is somewhat of a mess. One part melodrama, one part political-message film, "No Regrets for Our Youth" is saved from utter failure by a strong last act and a worthy performance by Susumu Fujita.

Steve G 19 Jun 2015

The only way this film can work is for Noge to be a sympathetic character. And he simply wasn't, in any way. Ultimately, too leftist, & naively idealistic for me. As bad as fascism is, self-righteous protesting student university worship leads to just as many ills. If it wasn't for Hara, it wouldn't be nearly as watchable. At one point in the movie, I'm like, "stop being boring!" Yeah, I just didn't really find her husband as heroic as I was supposed to. I find the "no regrets" phrase to be meaningless. Really? No regrets for anything? You've never treated someone poorly? You don't regret that? That's rather cold & unfeeling. The worst part is that I can't tell the characters apart. They're all Asian.

Chris Z 22 Jan 2010

Kyoto professors and university students protest the growing militarization of Japan leading up to World War II. Kurosawa movie starring Setsuko Hara that seems to echo some of the European themes explicit in Spain, and often implicitly underlying WWII where anyone who isn't a fascist is accused of being a Communist. A bit odd seeing Hara, who often played perfect girl-next-door characters play a character who starts off as a spoiled brat and transforms into a mud covered rice farmer.

Walter M 22 Jul 2008

Hara is absolutely marvelous, but the film itself is great too. The techniques are clearly influenced by Eisenstein and Dovzhenko, in fact the whole thing closely resembles a Soviet propagnda film, in style and content. Indeed, it also carries that same bluntness, which is its greatest drawback. It could also be said that Kurosawa doesn't capture women particularly well (this was his ONLY movie with a female protagonist), but I guess not everyone can have Mizoguchi's talent in that area.