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Japón (2003)

A painter from the big city goes to a remote canyon to commit suicide. To reach some calmness he stays at the farmstead of Ascen, an old religious woman. Although only a few words are spoken, love grows.

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5 Comments

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J

John Powers 23 Apr 2003

Reygadas grapples with the most elemental of issues ... and the result is sly, touching and more than a little loony.

M

Manohla Dargis 23 Apr 2003

Unlike a lot of young filmmakers, the 31-year-old Reygadas takes his ideas about the world and our place in it as seriously as his filmmaking ambitions.

V

V.A. Musetto 19 Mar 2003

This debut feature of Carlos Reygadas is a startling achievement.

J

John J 29 Oct 2007

A slow movie with a beautiful, but very sad ending. A question everyone has after watching it, is why "Japan"? Reygadas said in of the interviews "because Japan is the land of the rising sun". I wish this explanation could help! But still it's worth seeing it once.

P

Private U 12 Mar 2008

A monster filmmaker with an intellectual to match. What if I continue a panning up to full circle despite the fact the actor exits off frame in the first quarter? Life is all about this and that, so he seems to say, "I show you this but I also show you everything else". It's like italian Neorealism when you would pitch what you're interested in without beeing dictated by the filmmakers what's important and what's not. Unlike the Western approach, in here they don't tell you, "Look, you're stupid, let me show you". Realist performances, almost bordering hypernaturalism for the sake of film intergrity as a social tool.

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