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High Sierra (1941)

Given a pardon from jail, Roy Earle gets back into the swing of things as he robs a swanky resort.

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5 Comments

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Manny C 12 Aug 2008

A little melodramatic but who cares, it's Bogie, and a never better Ida Lupino. Fantastic movie.

Aj V 06 Aug 2010

Great Humphrey Bogart action-drama. Plot is not entirely water-tight, but direction is great and Bogie and co give great performances. Good adventure, with a touch of sentimentality and a moving ending. Not exactly a classic - some aspects of the movie have not aged well at all - but close.

Stephen C 24 Jul 2011

The film which powered Bogart to the top of the movie tough guy heap and the last of the Great Warners gangster movies before film noir kicked in the same year with the Maltese Falcon. What makes the film so brilliant and fresh is Bogarts performance As Roy Earle a ruthless toughguy yet capable of acts of great kindness toward people less better off than himself. Bogart and his director Raoul Walsh and Writer John Huston show Earle as a man who could cut it during prohibiton but in the 40s is seemingly out of touch with the times. Walsh gives the film that rough edge which sets it above the average Hollywood movie and its easy to see where Jean Pierre Mellville would get some of his ideas for his heist movies. A classic of it period and a film that shows the Hollywood production line was capable of turning out bona fide classics

Derrick D 07 Nov 2008

wow what a brilliant movie...i have just seen this movie 4 the 1st time n think that this is a great movie 2 watch...humphrey bogart is great as the lead man of this movie...its got a brilliant cast of actors/actressess throughout this movie its filmed all in black and white which is really good because its an old Action & Adventure, Mystery & Suspense, Classics movie 2 watch its really enjoyable i think that the director of this Action & Adventure, Mystery & Suspense, Classics movie had done a really good job of directing this movie because you never know what 2 expect throughout this movie its really good and enjoyable as well

Nathan L 25 Jan 2008

Best viewed in context as a crossover crime film of the 1930s and early precursur to Film Noir. Bogart's breakthrough role as a lead demonstrates his credibility as an actor to hold together a quirky plot designed to keep the story moving. The result is a long tale that gets a little tall by the end.