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Guilty of Romance Full Movie

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Guilty of Romance (2011)

While police investigate a woman found dead in a derelict love hotel, a romance novelist's wife lives a life that seems simply a daily repetition without romance. To escape the loveless monotony, she follows her desires and becomes a nude model. Soon, she meets a mentor and begins selling her body to strangers, while at home, she hides behind the façade of the doting wife.

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Simon P 23 Jan 2012

While Guilty of Romance is not Sion Sono's best film, it is an endlessly fascinating examination of the depraved and often misunderstood world of prostitution. What is always fascinating about Sion Sono's films is that he loves playing with these moral expectations and manipulates them into something completely original that bucks the perceived expectations of the viewer. A strange and bizarre film, Sono uses this story of a shy housewife foray into depravity as a way to comment on the psychologically archetype of the female on both societal and primal levels. The films psychological study of the pure power of desire and humans ability and inability to contain or control it is really quite fascinating. Out of all of 'Guilty Romance' is his first to really focus on the female psyche and this film has some fascinating female characters. I could see how some people could find the film unfocused, but this is a raw filmmaker who has created a raw but detailed exploration into passion, love and desire even if it does go a little overboard at times.

visitorQ S 25 Sep 2011

Easily the weakest of Sono's "Trilogy of Hate" (which includes the excellent Love Exposure and the dark and brutal Cold Fish), Guilty Of Romance is at it's best an often hilarious deconstruction of Japanese traditionalist culture and chauvinism and at worst, a meandering, confusingly edited, existentialist adaptation of many idea's central to Kafka's The Castle. Unfortunately, this heavily cut theatrical edition has clearly removed most of the footage revolving around the initial murder mystery (an idea that is seemingly dropped after ten minutes) and instead focuses on Mizuno's journey from submissive housewife to philandering whore. Incredibly witty at times, and interestingly shot, this film really deteriorates in the last thirty minutes, Sono's technique almost unbearably repetitive, confusing and pretentious. Sono drives those points home with all the subtlety of a sledge hammer, and then proceeds to bludgeon your dying enthusiasm over and over, long after the idea has been processed.

Michael Nordine 16 Jan 2013

As bizarrely moralist as it is transgressive.

Mark Stafford 29 Sep 2011

It's a film I primarily watched with my jaw in my lap wondering what the hell I was going to witness next.

shanul h 27 Dec 2011

Sion Sono's films are enjoyable when he only aims to entertain. When he tries to be deep, he absolutely fails.