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Eisenstein in Guanajuato Full Movie

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Eisenstein in Guanajuato (2015)

In 1931, following the success of the film Battleship Potemkin, Soviet filmmaker Sergei Eisenstein travels to the city of Guanajuato, Mexico, to shoot a new film. Freshly rejected by Hollywood, Eisenstein soon falls under Mexico's spell. Chaperoned by his guide Palomino Cañedo, the director opens up to his suppressed fears as he embraces a new world of sensual pleasures and possibilities that will shape the future of his art.

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Amber Wilkinson 22 Feb 2016

Eisenstein is embodied by the fabulous Elmer Bäck, who gallops at the role in the way Liberace might have plunged into a haberdashers.

Uriel Barco 03 Feb 2016

Eisenstein in Guanajuato can be enjoyed from different angles, ranging from a critical biopic of a filmmaker and social and sexual discourse, to a fascinating visual experiment. [Full review in Spanish]

Richard D 07 Mar 2017

After a failed attempt to make a movie in Hollywood, Sergei Eisenstein travels to Mexico to make a film under the auspices of Upton Sinclair. While in Mexico, he has a sexual awakening and a love affair with his Mexican guide Palomino. I like Greenaway, but I can't say this one really worked for me. I don't think it's fair to say that Einsenstein's blossoming homosexuality is the only topic that Greenaway is interested in, but it's the only topic that really seems to take any form. Other topics come up, but they are really treated in a sketchy manner (you are well over an hour into the film before you realize that he's been in Mexico for over 8 months). I don't mind the film, but a nearly 2 hour running time seems really excessive.

Carson Lund 01 Feb 2016

What comes through clearly by the end of the film is the act of one artist's eccentric generosity breathing new awareness into the life of another.

Ross Bonaime 11 Feb 2016

Greenaway tries his best to do justice to the grandiosity of Eisenstein's films, while also utilizing his own style. But the process only exhausts the audience and adds little to the story.