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Edge of the City Full Movie

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Edge of the City (1957)

A male army deserter and a black male dock worker join forces against a corrupt manager, in a corrupt environment, and as their connection blossoms they must face the oppressive and morally decaying city they live in.

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5 Comments

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Emanuel Levy 11 May 2012

Martin Ritt's impressive feature directing debut is a socially conscious drama, about union corruption, interracial integration, and moral integrity, well acted by John Cassavetes and Sidney Poitier.

Tanya P 23 Aug 2009

Adequate social (racism) drama from the later fifties. Clear-cut story which gives an enlightening insight into certain social relations at the time. It must be noted, however, that it seems to be trying just about a bit too hard to be politically correct and perhaps even utopian. Authoritarian assholes are white, whereas nice, warm-hearted, sensible people are black. Furthermore, I wonder how realistic it was for a black man back in 1957 to be in such a senior position on the workfloor and to have a wife who is said to have given up on her career because of her marriage. And would the police really bother that much about who was responsible for the death of a black worker? Also, I think this movie wastes too much time on the display of friendships, causing some other important aspects of the plot (Axel's relationship with his parents, the solving of the murder case) to become somewhat snowed under. The final scene is spectacular, but not too realistic (why not just inform the police and leave it at that?).

Brock S 17 Aug 2009

good acting. good performances. simple story. i guess solid is a good way to describe it.

Walter M 19 Jun 2014

You can completely see what this movie is going for and where its going from the start. Every character beside the main on (axel north) its one dimensional and its a little paint by numbers. Sidney Poitier is charismatic as ever and John Cassavetes is good but the story is nothing special.

Nandi C 04 Apr 2012

A interesting study of two men who are friends and work on the railroad yards. simple enough, but one is white(Cassavettes)and one is African American(Poitier) and it's the 1950s. They get along and he meets Poitier's family, but things get ugly when Poitier is killed on the job, and Cassavettes know the deal. A dillemma is at hand, to tell or not to tell. One of the best movies out there.