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Amer (2009)

Ana is confronted with body and desire at three key moments of her life. As a young girl, she brings her dead grandpa back to life. In her puberty, she discovers the power of decay and sexuality. Finally, she wrestles with loss and loneliness when she returns to her parental home, now derelict.

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Stephen Holden 28 Oct 2010

A voluptuous wallow in recycled psychosexual kitsch.

Jamil K 15 Mar 2013

If Argento were making his debut in the contemporary world of cinema I would expect him to produce this. And while the film struggles to cling to anything plot-wise it is a visual delight, leaving the viewer squirming.

Hugo G 15 May 2014

An homage to the giallo films of Argento and bava without actually being a giallo. Essentially an anthology in three parts with the main character at various ages. Brilliant direction and editing and very surreal.

Walter M 16 Oct 2012

"Amer" is an incoherent mess of a movie that suggests far more than it ever gets around to delivering. As far as I can tell, it involves Ana(Marie Bos) returning to the family home for the first time as an adult. As a child, she(Cassandra Foret) is haunted by the death of her grandfather(Bernard Marbaix) whose corpse she steals a fob watch from, breaking one of his fingers in the process which should give her at least a few years worth of bad luck. Before that can kick in, she sees something much more disturbing which is her mother(Bianca Maria D'Amato) and father(Jean-Michel Vovk) having sex.(There is a middle section but I have completely forgotten what happened there.) Instead of providing any background or context, "Amer" is just a complete exercise in style without the relevant skill to put it to good use. I mean, somebody sure likes their filters. The editing is almost as bad but at least the extreme close-ups of eyes could suggest some sort of voyeurism.

Sandy R 31 Aug 2010

A truly stunning visual and audio delight from directors Bruno Forzani and Helene Cattet. A lovingly crafted homage to the imagery and music of Italian murder mystery and detective films produced during the 60's and 70's, which were referred to as gialli. Amer doesn't share the typical detective story, in fact it has a nonlinear narrative structure which instead washes over you with a collage of extraordinary images, a kaleidoscope of colour and brilliant sound design. Amer is a very sensuous movie experience, it's not so much a movie you watch and understand but a movie you feel. The film recycles original music from the likes of Morricone, Nicolai and Cipriani. A wonderful accomplishment in film and one of the best looking movies of the last decade.