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Allonsanfan Full Movie

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Allonsanfan (1974)

After the 1815 Restoration, an aging revolutionary finds himself reluctantly involved in an attempted insurrection in Southern Italy while growing increasingly disillusioned with his cause.

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Dimitris S 08 Sep 2008

Incredible score to begin with.Annihilating performance by the unique Mastroianni. Pitch-perfect representation of the tumultuous Italian division of 19th century.Ignoring the political and social results would be fatal.Taviani are orchestrating through Morricone's music an opera of neoclassicism and reach breaking point in their time of film-making streak.

Helena M 31 Jul 2010

It ws dfifficult to retire for Marcello Mastroianni in thois movie.

Giorgos T 13 Feb 2015

Thought-provoking, with an excellent protagonist and epic music. A real masterpiece.

Michael Brooke 24 Jul 2018

This wittily rumbustious, almost operatic film offers a stirring reminder of a time when European filmmakers regularly engaged with serious political ideas, without compromising their cinematic creativity.

Bill T 04 Oct 2009

On the video box of Allonsafan, I noticed that someone had written in small letters, "Boreing". So, was it? On the whole, I am not the biggest fan of Italian films, and Marcello Mastrianni I always feel is his and miss. But actually, Ansofan isn't as bad a film that many people perceive it to be, although it essentially goes all over the place, the film is somewhat entertaining. Mastrianni is certainly OUT there playing a member of a criminal gang. He wants to go straight, but members of his gang keep showing up every time he's trying to go straight. He also has a son to think about! And his love life! Nevertheless, the gang members seem to follow him like a bad rash, even when he tries to kill the annoying pests. What this all is supposed to mean is rather confusing, and the ending is pretty predictable if you've been paying attention to this love/hate relationship thing Mastrionni has got going. Not entirely boring, but then again, not entirely comprehensible either.