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A Time to Love and a Time to Die (1958)

A German soldier home on leave falls in love with a girl, then returns to World War II.

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5 Comments

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Art S 08 May 2010

All I can say is, if you dig classic films and don't know Douglas Sirk, you need to learn about him now! Great over dramatic romance set in the waining days of WWII from a German officer's perspective. Great classic Hollywood stuff!

Stella D 25 Nov 2011

Unusual to see a Hollywood production of a WWII war movie, but based in the point of view of the Germans on the front line. Douglas Sirk goes back to his homeland post defeat to create an amazing love story, supposedly Godard's favorite Sirk film, of a soldier on leave and a girl in his hometown, bombed to pieces. The set pieces, filmed in bombed out areas that was left as it was post-war, adds an incredible authentic look that just isn't in a lot of older war movies. And the obvious is how Sirk handles the camerawork, and the dialogue. Although like "Schindler's List", Germans speaking English might be a little strange, but don't let that stop you.

Dennis Schwartz 08 Sep 2003

Douglas Sirk's haunting masterpiece wartime romance story is set in 1944.

JohnnyLee T 04 May 2016

Conventional approach to WW2 drama, except told from the German side. Largely spoilt by John Gavin's wooden acting. Jock Mahoney would have been better in the lead, not in a bit part. Keenan Wynn lifts it whenever he appears. Directed by German, based on German book. Author has small part. He sums up his philosophy as need to believe in God. (Believe it if you want!)

Ben G 18 Oct 2009

Creating a sympathetic view of Germans is done more successfully in All Quiet on the Western Front, perhaps because that war doesn't have such awful baggage with it. Still, Sirk manages fairly well. There are few surprises here, it's your typical "the human side of war" story. But it's handled deftly... though the Technicolor occasionally threatens to beautify things too much, for the most part it's kept in check. Bonus point for a brief appearance by Klaus Kinski, in one of his earliest roles.