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Vortex (2021)

Lui, a struggling author with a heart condition, and his wife Elle, a retired psychiatrist, find their idyllic life shattered when Elle begins to succumb to the effects of dementia.

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5 Comments

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A.O. Scott 28 Apr 2022

Among the comforts Vortex refuses is the bittersweet balm of nostalgia. It’s a blunt reckoning with the inevitability of loss, including the loss of memory. We dream for a while, and then we sleep.

Phil de Semlyen 12 May 2022

This is obviously a deeply personal subject for Noé, who has spoken about experiencing the fallout of dementia first-hand. But while his film gradually pummels you, it can’t match 2021’s superb dementia chamber piece The Father for impact or insight. As it grinds towards its slightly contrived ending, it does start to feel like rubbernecking.

yeqks 09 May 2022

A slow moving, disturbing, and emotionally impaling cinematic experience. Gaspar really doesn’t disappoint, as this film packs some of the most potent performances in any of his previous films, Dario Argento, François Lebrun and Alex Lutz do a surprisingly amazing job performing. The split screen used in the film’s visuals are wonderfully implemented with a clear artistic purpose, the film is incredibly well shot and though the pacing is very slow it never feels dull whatsoever. My main issues lie with the film’s narrative feeling a little scatter-brained and random, a few plot threads feel picked up and dropped without much development, and though I appreciate the use of empty scenes that feel like nothingness as a way to illustrate how our lives are made up of 50% nothingness, there’s a point where those additions aren’t needed anymore.

JLuis_001 30 Sep 2022

I'm not a fan of Gaspar Noé. I never have been and I've always been clear about it, but I also know how to admit when my mouth gets shut. And Noe has done it in what is undoubtedly the most mature and crucial film he has delivered in his career. Here he's no longer the provocateur, but the creator who builds a devastating and sad story that doesn't try to be gentle in its treatment and it's not because it cannot be humane in a tale that deals with a subject as depressing as this one, but to have treated it in a way that would have softened it in some way would have been terrible for his film. Vortex is a film that perhaps goes a bit overboard in its length, and you may feel like you no longer want to go through with that painful treatment, but it's a film that should be experienced regardless of the cathartic satisfaction or entertainment it may not provide.

Steve Davis 05 May 2022

Unrelenting and inconsolable, with a smattering of compassionate moments, the superb Vortex brings to mind an observation attributed to actress Bette Davis, no less: Getting old ain’t for sissies.