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Vortex (2021)

Lui, a struggling author with a heart condition, and his wife Elle, a retired psychiatrist, find their idyllic life shattered when Elle begins to succumb to the effects of dementia.

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TVJerry 15 May 2022

Writer/director Gaspar Noé is known for his unique visual style and willingness to experiment. He keeps it up with his latest effort revolving around an aging couple in Paris, followed simultaneously on split screens. Her dementia (Françoise Lebrun) is advancing rapidly, while he (famed Italian director Dario Argento) has to deal with her erratic behavior and his own health issues. The dual images are interesting, observing their behaviors without much cinematic interference. She wanders aimlessly, while he tries to write his book and cope with her. Each scene is extended with plenty of silence and minimally interesting dialogue, which was often improvised. Noé's love of a distracting "blink" between every cut (a few frames of black) serves to pull the viewer out of the experience. Some will appreciate the measured pace and naturalistic approach, while others will find the cinematic gimmick gets in the way of any real emotional connections.

Stephanie Zacharek 29 Apr 2022

So much of Vortex is stirring, compelling, upsetting. But a greater share is merely numbing in its depressive showiness.

bertobellamy 07 Oct 2022

Another stressful experiment by Gaspar Noé. 'Vortex' is a dramatic downward spiral of frustration and hopelessness. Dario Argento impresses as an old man trying to live many lives simultaneously despite his age. But it is Françoise Lebrun who gives the most striking and somber performance by playing an old woman lost in the shadow of dementia. 'Vortex' sure plays some of the same notes as 'The Father,' but the tone is cruder. Noé draws upon some visual resources to exasperate the viewer — is the split screen format diabolically trying to look like a film frame? — creating a sense of confusion and discomfort. It's like 'Climax' but slowed down to the minimum level, with some Haneke's 'Amour' elements in there. My only complaint is the excessive runtime and the feeling that everything gets repetitive very quickly, but I guess that was his intent.

Owen Gleiberman 29 Apr 2022

Vortex doesn’t let us off the hook. Gaspar Noé never does. But if he did, he might transcend his “Behold, you will know the dark side” brand.

Steve Davis 05 May 2022

Unrelenting and inconsolable, with a smattering of compassionate moments, the superb Vortex brings to mind an observation attributed to actress Bette Davis, no less: Getting old ain’t for sissies.