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Tommaso (2020)

Tommaso is an American expat film director living in Rome with his young wife and their daughter. Disoriented by his past misgivings and subsequent unexpected blows to his self-esteem, Tommaso wades through this late chapter of his life with an increasingly impaired grasp on reality as he prepares for his next film.

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5 Comments

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B

Bradley Warren 24 May 2019

Unfortunately, “Tommaso” is far more navel-gazing and long-winded than intimate, in as much of a creative funk as its protagonist.

R

Richard Whittaker 04 Jun 2020

What's makes Tommaso stand out among thinly veiled autobiographical movies is that it’s not, like Tarkovsky’s "Mirror," an attempt to reduce an entire life into two hours; nor, as in "Fanny and Alexander" or "The 400 Blows," a portrait of the artist as a young man. This is Ferrara at this precise moment.

T

Ty Burr 04 Jun 2020

Largely plotless, confidently self-indulgent, and more leering toward those acting students than seems wise, Tommaso is worth a look for the Rome locations and the burnished widescreen cinematography of Peter Zeitlinger. Above all it’s a showcase for Dafoe, who continues a remarkable late-career run.

M

Mauro_Lanari 07 Jan 2021

(Mauro Lanari) Bohemian in Rome as he prepares the storyboard for the following "Siberia", Ferrara is didactically linear in the alleged anguished self-analysis (this time supported by a mutual self-help group), and synthesizes Christianity and Buddhism in single scenes: "Quid est veritas?" "You suffer", transcendental meditation and tolling of bell. But at the conclusive repeated crucifixion of Dafoe, he becomes both unbearably more pretentious and less experimental.

M

Matt Zoller Seitz 05 Jun 2020

The film depicts a subtle, complicated, mostly internal process so thoughtfully — blending humility and go-for-broke nerve — that its flaws ultimately seemed minor to me.

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