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Tommaso (2020)

Tommaso is an American expat film director living in Rome with his young wife and their daughter. Disoriented by his past misgivings and subsequent unexpected blows to his self-esteem, Tommaso wades through this late chapter of his life with an increasingly impaired grasp on reality as he prepares for his next film.

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Mauro_Lanari 07 Jan 2021

(Mauro Lanari) Bohemian in Rome as he prepares the storyboard for the following "Siberia", Ferrara is didactically linear in the alleged anguished self-analysis (this time supported by a mutual self-help group), and synthesizes Christianity and Buddhism in single scenes: "Quid est veritas?" "You suffer", transcendental meditation and tolling of bell. But at the conclusive repeated crucifixion of Dafoe, he becomes both unbearably more pretentious and less experimental.

Hannah Hoolihan 03 Jun 2020

Despite a raw performance from Willem Dafoe, Tommaso feels more like a self-indulgent male fantasy than an introspective character study.

Glenn Kenny 04 Jun 2020

Tommaso has a different feel than your average variant on Fellini’s “8 ½.” Maybe it’s a sense of shame, something the older film’s Guido hadn’t much of. Whatever it is, it makes Tommaso crackle with ideas and empathy, as Ferrara’s best work always does.

G. Allen Johnson 04 Jun 2020

It is so narrowly focused on neurotic obsessions that the quest for finding that fundamental nature of ultimate reality is sidetracked. What kind of approach is that for a Buddhist? Ferrara takes the easy way out.

Tim Grierson 24 May 2019

It’s fair to ask whether the world really needs one more story about a flawed, brilliant, lustful older male artist, but Tommaso’s commitment to its own soul-searching fervor is potently feverish.