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The State of Things Full Movie

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The State of Things (1982)

On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.

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5 Comments

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Frederic and Mary Ann Brussat 18 Aug 2004

An engrossing examination of movie-making.

Timo v 11 Dec 2009

Ik was wat uitgekeken op Wim Wenders nadat ik The End of Violence had gezien, maar na dit meesterwerk leef ik weer volledig op. Na een bizar begin werd ik meegezogen in doodnormaal verhaal in de mooiste zwart-witsetting die ik sinds tijden heb gezien. De locaties in Portugal waren adembenemend, het lege zwembad dat met elke golf een slok zeewater binnenkrijgt en de betonnen setting die me deed denken aan bunkerarchitectuur maakten dit mogelijk. Later in L.A. is het minder, maar dat werd goedgemaakt door scherpe fotografische beelden. Het verhaal transformeert van een portrettenreeks naar een zoektocht. Uiteindelijk ontstaat er een hoofdpersoon en je begint de anderen te missen, maar je weet dat ze nog steeds in Portugal zijn. Je wil ook weten wat de uitkomst is van de zoektocht en daarom neem je het voor lief. Op een wat te lange praatscene na en het feit dat ik hem Duits-gesynchroniseerd heb gezien staat deze film schouder aan schouder met bijvoorbeeld Der Himmel Uber Berlin. Dit is een van de beste films van Wim Wenders.

gavin l 12 Mar 2007

Wim Wender's despairing howl for the future of cinema.

Nikolas G 17 Mar 2010

This project was an enraged answer to Coppola's intervention on Hammett.Wenders was of course furious by the blockbuster thoughts of his American "partner" and upon his return to Germany,he decided to do things by himself.A fabulous director's movie was made in a cheap budget,providing numerous cine-wonders and references to noir,experimental film and sci-fi (the primary sequence is an ideal homage to Wise).

Javier G 18 Sep 2007

Probably my preferred Wenders, and probably one of the best cinematographic overtures of all times.